Despite his nickname and habit of doing a bunk, George “Shadow” Morton was one of America’s highest-profile and most distinctive producers and songwriters. He was responsible for shaping the sound and style of The Shangri-Las, Janis Ian, Vanilla Fudge and The New York Dolls. Until the release of Sophisticated Boom Boom!! – The Shadow Morton Story, the musical side of his story had not been told. A consummate collection, this significant release was pulled off with style. The packaging was superb, as was the annotation. Its music was amazing too.

Beachwood Sparks: Desert Skies

It’s ironic that the album which has invited itself back onto the turntable more often than any other this year is wholly redolent of another time and place: the California of the early Seventies. Whatever the shortcomings of his live performance, on his second album Fanfare Jonathan Wilson fashioned a dense, atmospheric whole whose constituent ingredients were explicitly acknowledged – and not just by the identity of those guesting on the album. But it was also wholly original and showcased a unique yet disconcertingly familiar voice.

Various Artists: German Measles Vol 1 – Flames of Love / German Measles Vol 2 – Sun Came Out at Seven

It took two minutes for Jonathan Wilson to launch into the first of the evening’s extended guitar solos. “Love Strong” began like much of his two-hours-ten-minutes on stage. The song opened with him singing a verse and then flying off to guitar heaven. His playing is classic, evoking but not mimicking John Cipollina, Jerry Garcia, Stephen Stills and Neil Young. But it raises a conundrum: is Wilson about the songs or the craft? The former are fabulous, melodic and memorable. The latter fluid and phenomenal.

There's been a quiet but nevertheless palpable sense of anticipation surrounding psych-folk enigma Linda Perhacs' first-ever European tour. Comparatively low-key advance publicity certainly proved no impediment to a sold-out house for the recent opening date at Berlin's Kantine am Berghain, a somewhat drab and unprepossessing bunker in the shadow of the city's notorious techno temple.

The Velvet Underground: White Light/White Heat

New Yorker band Gang Gang Dance have been one of the odder acts of the past decade. Presented as a kind of hippie multimedia collective, they were among the earliest non-UK adopters of the sonics of grime and dubstep, which they wove in alongside global music influences, jam band psychedelia and more into an extremely rich and sometimes slightly confusing stew.

Various Artists: I am the Center – Private Issue New Age Music in America, 1950–1990

Brenda Holloway: The Artistry of Brenda Holloway / Various Artists: ERA Records Northern Soul