Despite the fact that this month marks the 50th anniversary of the release of The Beatles’ first single, the focus on the Fabs right now is as much on their 1967 psychedelic folly Magical Mystery Tour. The arrival of Tame Impala’s second album seems appropriate as it’s a modern psychedelia which knows all about the detachment brought by mind expansion – the distant vocals on opening cut “Be Above it” echo John Lennon’s on “Strawberry Fields Forever”.

R.E.M.: Document 25th Anniversary Edition

Kieron Tyler

Shields leaves standing everything Grizzly Bear have done previously. Four albums in, the Brooklyn quartet move forward with their most focused, most cohesive album yet. The folk influence remains, as do traces of their love of The Beach Boys, but Shields is – mostly – so confident it could be a debut album. It’s also the first time all the songwriting has been credited to the entire band.

Nine albums and almost 10 years in, Animal Collective show no signs of smoothing the edges from their herky-jerk, ADHD psyche-pop. Vocals carry a melody, but everything else in the mix counters that – pinging sounds, Afro-inspired percussion, bloops, stabs of synth. Beyond Animal Collective, only a bear with a sore head could make psychedelia this twitchy.

Welcome to another show, in which Joe guides us around some of the weirder, smokier corners of the broad church of hip hop, and discussion returns to how far genre can stretch and where originality can reside in a multi-channel, everything-available-at-once world. We also take a listen to more and less authentic sounds of South America courtesy of a Brit-in-Colombia, a Colombian Brit, and a legend of British underground sounds turning Colombian sounds into house music. There's some neo-psychedelia and neo-folk thrown into the mix for good measure.

Nick Cave & the Bad Seeds: Nocturama, Abattoir Blues, The Lyre of Orpheus, DIG!!! LAZARUS, DIG!!!

Howard Male

The sacred word 'om' is spoken in different ways according to its context. Elongated, it can be stretched over multiple syllables. As a musical unit, OM work with building blocks that are similarly minimal, yet drawn out for maximum effect. And like the origins of their name, their heady, psychedelic music is heavily indebted to cultures which lie to the east.

Various Artists: Sound System - The Story of Jamaican Music

Thomas H Green

Naturally it couldn't be anything as straightforward as a mere album. Rather, Smashing Pumpkins supremo Billy Corgan would have it that Oceania is "an album within an album", and that its 13 songs form a subset of the ongoing Teargarden by Kaleidyscope project, part of which appeared in digital download format in 2009. But prune away all the baggage and Oceania stands up as a very plausible specimen of Pumpkinness.

The end had long been nigh for The Cult, when it first came in 1995. It wasn’t just the booze and the arrival of grunge. It was as much that smart-arse Brit Pop was never going to have much truck with a man who called himself Wolf Child and wrote lyrics like, “Cool operator with a rattlesnake kiss”. More fool them. But yet, for all the brilliance of Love, Electric and Sonic Temple there was no denying things went seriously downhill after the fourth album. Still, fans have long believed in one last Memphis hip shake from the old peace dogs.