“These are African rhythms, passed down to us from the ancient spirits. Feel the spirits, a unifying force. Come on, move with the spirits. Stand up. Clap your hands. Groove with the rhythms. Get down. Get off.”

So begins “African Rhythms”, originally released in 1975 as the opening cut from an album of the same name by Oneness Of Juju. It was issued on Black Fire, their own label.

There’s a moment halfway through Khruangbin’s latest album that succinctly sums up the melting-pot model this band have made their own. It’s “Pelota”, a Spanish-influenced song, based on a Japanese film, played by a Texan three-piece with a Thai name. It’s also very, very good indeed.

For better or worse, the lockdown may be easing in the UK but there’s no sign of any gig action, even on the far distant horizon. So it’s back to our screens for all that, and here’s the latest, liveliest selection of concerts, conversations and virtual festival action for the coming week! Dive in!

The Other Songs/Brit School Festival

The most obvious comparison for The Changin’ Times of Ike White (BBC Four) is 2012’s Searching for Sugar Man, with its story of a potential star having vanished into thin air at the brink of fame and fortune. The documentary began in the usual way of music biopics, with talking heads listening rapturously to the musician in question, then archive footage.

As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking. Dive in!

A Theatre for Dreamers/Von Trapped Family Livestream + Dave Gilmour Live at Pompeii

The music of monstrously successful emo-pop sorts Paramore is globally massive but is far from everyone’s cup of angst-lite. There is something polished and squeaky clean about them, Teflon fluoro-goth with an off-putting whiff of decent boy/girl-next-door niceness. This writer, then, comes to the debut album of lead singer Hayley Williams with Everest-sized prejudices.

“I’m not your fucking friend,” intones Baxter Dury as recent single “I’m Not Your Dog” begins. As opening salvos go, it’s right up there with the best of them, full of sneering hostility and fiery intent. As an introduction, it’s a writer’s hook – pushing us away while drawing us in.

Norwich is not the first place most people think of as a hub of riveting music but it’s where female duo Sink Ya Teeth hail from. Consisting of bassist Gemma Cullingford and singer Maria Uzor - with both throwing synth into the pot where necessary – the pair have proved themselves a vital presence in the live arena.

Huey Lewis and the News were an unlikely mid-Eighties phenomenon. Their Sports album was a mega-success for a band already approaching early middle age. Their Fifties feel, given a contemporary polish and boosted by association with cinematic juggernaut Back to the Future, sat comfortably (yet incongruously) alongside the likes of Madonna and Duran Duran.

“Only in a Man’s World” is a snappy pop-funk nugget with an Eighties feel. There’s a kinship with Peter Gabriel and “Once in a Lifetime” Talking Heads. Its lyrics though are something else. They begin by asking “Why should a woman feel ashamed?” and go on to address why necessary items associated with periods are deemed a luxury by the tax regimen. “Things would be different if the boys bled too.” Rather than polemic, it comes across as exploring the double standards inherent to the state.