Now the BBC Symphony Orchestra’s second Conductor Laureate, Jiří Bělohlávek was always going to deserve a hero’s welcome for taking his players to the finishing line of their six-year cycle through Mahler’s symphonies. As more superficially brilliant Mahler series like Gergiev’s, squeezed into a single anniversary season, seem a distant memory, many of Bělohlávek’s slow burn, deep vein interpretations live on in the mind and soul.

Any young composer who finds himself at the opposite end of a programme from Walton’s First Symphony had better be good. Edward Nesbit - whose piece Parallels was commissioned by the LSO Panufnik Young Composer’s Scheme - is certainly that. Indeed the aggressive brass punctuations and nerve-wracking silences that helped point up the symmetry of his very accomplished diptych might have been designed to complement the Walton - or indeed Beethoven’s Fourth Piano Concerto - where silence is not just golden but potent, too.

Sometimes as a critic one cannot help pre-judging an album however hard one tries not to. I expected the worst of this all-star jamboree bag from TV's most haphazard interviewer, which mixes some Hootenanny turns with new recordings of old favourites by some of music's blandest and/or most irritating personalities. Yet apart from a few excruciating exceptions this is not a bad something-for-all album to stick on when the in-laws pitch up on Boxing Day.

14 Grammy Awards, over 30 million albums sold, immortalised in song by Bob Dylan. It's hard to believe that Girl On Fire is only Alicia Keys's fifth studio album, such is the extent of her success. The singer-songwriter's previous release, The Element of Freedom, successfully mined the juxtaposition of powerful beats and understated vocals. And, following the solo piano amuse-bouche of “De Novo Adagio”, Girl On Fire initially looks set to deliver more of the same.

Why is music? A child’s question, a great question. One answered by Evgeny Kissin’s piano recital at London’s Barbican Centre last night, where you might want to engage analysis and come up later with answers but what happened was that you left the concert hall feeling more alive, emotions retooled, spirit lightened, range widened. Music is because. Why else would Beethoven compose 32 piano sonatas? What possible purpose of Haydn to write 62 of them? Because.

In the 1960s the Kiwi cartoonist Kim Casali started the comic strip Love is… which mawkishly defined love in a series of statements like, “Love is…being able to say you are sorry” - messages still printed on Valentine’s cards to this day. In Austrian auteur Michael Haneke’s Palme d’Or winning latest, however, love is measured and told in pain: amour means longevity, dedication and the willingness to make difficult decisions. Try putting that on a greetings card.

Benjamin Grosvenor made his Southbank recital debut last night in a sold-out Queen Elizabeth Hall in another milestone in his unstoppable evolution from wunderkind to fully-fledged concert star. It has been a good year for the 20-year-old pianist, during which he added a Classic Brit and two Gramophone awards to a Critics’ Circle accolade, Decca recording contract and tenure on the Radio 3 New Generation Artists scheme.

Jazz pianist and singer Diana Krall has won two Grammys and sold more than 15 million albums worldwide. Born in 1964 in Nanaimo, British Columbia, Canada, she attended Berklee College of Music in the early 1980s and had her major breakthrough with the 1995 album, All for You: A Dedication to the Nat King Cole Trio. Produced by T Bone Burnett and featuring Marc Ribot on guitar (and a cameo from Howard Coward, a.k.a.

Possessing one of the most recognisable sounds in jazz, US trio The Bad Plus don’t so much subvert genre as wrap it up in a little parcel and put an incendiary device under it. Jazz, rock, pop, country and classical all get thrown into their inimitable blender, as typified by album opener “Pound for Pound”, which traces a musical journey from Satie-like simplicity to an all-out rhapsodic assault on the senses.

Ivo Neame is not only one of the finest multi-instrumentalists, composers and arrangers of his generation. Given that the Royal Academy of Music graduate also performs with Phronesis, MOBO award winners Kairos 4tet, Fringe Magnetic and Marius Neset's Golden Xplosion, as well as lead his own regular quintet, his time-management skills are clearly nonpareil too.