Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking. Its Picnic at the Castle series has the building as an imposing backdrop to events, the stage reached by a wooden bridge across the River Avon.
We live in strange times, so it's appropriate that a socially distanced pop-up arts festival – of theatre, comedy, improv, music and magic – calls itself The New Normal. I went to the first comedy night of its August run, curated by Good Ship Comedy, a great comedy club which is normally located at a pub in north London, but is decamping to south London for a couple of dates here.
After drive-ins, now come Covid-secure outdoor shows as the comedy industry tries to find its way back to normality. Battersea Arts Centre is utilising its hitherto unused courtyard for a season of outdoor comedy, during which Al Murray and Russell Howard will perform.
The courtyard accommodates fewer than 50 people – about 30 seated, the rest standing – and the audience had to wear masks throughout. We were encouraged to laugh rather than smile by MC Luke Kempner as we sat like a “bunch of assassins”.
Drive-in comedy shows are now well into their groove (although sadly a couple of promoters have had to cut their losses because of poor sales at some venues), and distinct differences in approach to what's on offer have emerged. Clearly going for the upper end of the market is Dine and Drive Theatre, an old hand at curating outdoor events, whose USP is classy locations and food catered by top chef Tom Kerridge.
Daniel Kitson
Daniel Kitson, in a rare and welcome move, has released his 2009 Edinburgh Fringe show, The Interminable Suicide of Gregory Church, in a version he has edited.
Various times, 18-22 May
Cambridge Footlights Stand-up Showcase
Jerry Seinfeld said in a recent interview that this Netflix special – 23 Hours to Kill – may be his last stand-up show. That's a shame, as there's much to enjoy here, even if he is retreading some old ground.
Much of this material he performed during UK dates last year (and some of it he had also performed when he previously visited the UK, in 2011), but that's OK as far as it goes – he's still a very funny man, and his grouchy, world-weary shtick can bear some repetition.
Who knew in the early days of his career, when Simon Amstell was taking the mick out of celebrities on Popworld and then Never Mind the Buzzcocks, that he would turn into one of the cleverest comics of his generation, with a special talent for making existential angst funny?
Rachel Fairburn says she didn't know what to wear for the gig. She's dressed in an all-black ensemble; hotpants, animal-print boots and a feather bolero jacket. “I've come as a mistress at a funeral.”
It's a doozy of an opener to Her Majesty and the kind of sharp gag that listeners to her All Killa No Filla podcast (performed with Kiri Pritchard-McLean) would recognise.
Michelle Wolf, best known to UK audiences as the comic who upset Donald Trump with some smart barbs aimed at his staff at the 2018 White House Correspondents' Dinner, has done some occasional dates this side of the pond (plus a run at the 2016 Edinburgh Fringe), so her fans will be grateful for Joke Show, a Netflix speci
