What a day to open your political stand-up show, entitled State of the Nation, a few hours after Theresa May had announced a snap election. If Ayesha Hazarika needed any extra material, yesterday morning's events would certainly have supplied it.

In the closing credits of Acorn Antiques, wobbling diagonally across the screen, it says the part of Berta was taken by “Victoria Woods”. Has there ever been a lovelier, truer typo? There was only one Victoria Wood, and yet she seemed somehow to be plural. She wrote and performed sketches and sitcom, songs and stand-up, musicals and drama. She directed, she produced.

Russell Howard is in typically chipper form, and so he should be. Dismissed by some at the start of his career as just one of the slew of beige twenty-something blokes emerging in stand-up in the Noughties, he has built a solid television career and a huge stand-up following.

Trimmings, trimmings. They prove the final straw for Molière’s Harpagon in this new adaptation of the classic French comedy-farce. The menu for his wedding banquet – which he doesn’t want to spend a centime more on than he has to – is being concocted by chef-cum-dogsbody, Jacques. Soup, yes; a bit of meat, possibly.

Miles Jupp starts by telling us he’s trying to fathom the kind of comic he should be, after he overheard a comment by an audience member at a show on his previous tour: he was nice, the man proffered, but what he said had taken him by surprise. So should Jupp now be full and malice and predictable?

Suzi Ruffell tells it straight: she's working-class and proud, but some people might think she's "common", which is the show's title. She has devised a quick quiz for us to check if we're working-class ourselves, and among the amusing tell-tale signs is: did your mum use to freeze milk? A new one on me, but the show is off to a good start.

Comedy fans will be familiar with "New York neurotic" – performed mostly by Jewish writers and comics, with Woody Allen being the exemplar. Chris Gethard, however, is from New Jersey, was raised as a Catholic and is not neurotic at all.

American comic Michelle Wolf was nominated for best newcomer at this year's Edinburgh Comedy Awards with this show, So Brave, but she is also a writer on The Daily Show With Trevor Noah. She's an acute observer both of human quirks and the American political scene.

The period before Christmas is, inevitably, when stand-ups rush to market. With so much material now available on YouTube, fewer comics release DVDs nowadays, but some of the best still do. This is theartsdesk's selection of the best live acts caught on film.

Billy Connolly: High Horse

Tom Allen may have started life in Bromley, a non-descript south London suburb, but there was always a touch of Oscar Wilde about him – whether in his dress sense or his way with words, as we have learned from previous shows. It was obvious to him – and to school bullies – that he was not like them, a gay, bookish, clever boy with a very distinct way of expressing himself.