It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult novels. These started appearing in the UK from the mid-1980s.

Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at User Not Found, the latest from the ever-enterprising site-specific company Dante or Die, should be prepared to swivel this way and that as they take in the hairpin changes of tone achieved across 90 minutes by the play's invaluable solo performer, Terry O'Donovan, whom we find in mourning-induced freefall.

Manga, the Japanese art of the graphic novel, took its modern form in the 1800s. Illustrated stories already had a long heritage in Japan — encompassing woodblock prints and illustrated scrolls and novels — but the introduction of the printing press by foreign visitors changed the rate at which works could be made and the extent of their distribution.

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new dramatisation of Lister’s life has been gestating in Sally Wainwright’s brain for 20 years, and finally arrives under the auspices of the BBC and HBO.

It would be great to herald this low-budget drama about an elderly drag queen and his friendship with a young gay singer-songwriter as a little gem of British indie cinema. But Tucked, which aims to be an odd-couple tale of heart-warming redemption, is pretty dispiriting with its slow pace and predictable plot. 

“Publishable, but worth it?” EM Forster’s hesitations about the value of Maurice, his novel of Edwardian homosexuality – written in 1913-14, it was published only posthumously, in 1971 – were certainly redeemed by James Ivory’s 1987 film of the book.

When Jason and Tracey were trying for a baby, the worst happened. Tracey was diagnosed with breast cancer, and although she eventually recovered, was unable to carry a child. For Jason, the answer was clear - as a trans man, he would become pregnant instead.

Benjamin is the debut feature of Simon Amstell, a young director who has thought cleverly about the torments (and hilarities) of artistic creation in an information-soaked world.

You might think an American high school comedy an unlikely place to locate a love letter to Oscar Wilde – even if there’s a flamboyantly gay story behind it. But Freak Show screenwriters Beth Rigazio and Patrick J Clifton, adapting James St James’ source story, have a way with wit that is clearly aiming to match the writer whom they keep quoting.

Ripeness is sometimes all. 80-year-old Martin Sherman's recent play, receiving its UK premiere at canny Park Theatre, says more about gay history in 100 selective minutes than The Inheritance managed in six and a half hours.