To Sir, With Love is a very loose adaptation of ER Braithwaite’s autobiographical novel. Reflecting on his experiences as a teacher in London’s East End in the late 1940s, Braithwaite’s commentary (one of two provided here) advises us that “as you read the book, that’s how it was.

Let’s face it, most adaptations of classic novels are disappointingly pedestrian. They are so middle-of-the-road – fancy-dress characters speaking fancy-dress dialogue in fancy-dress plots. But there are memorable exceptions: Amy Heckerling’s film Clueless brings Jane Austen’s Emma squealing into our world, while Martin Crimp’s Misanthrope and Cyrano de Bergerac do the same for theatre’s Molière and Rostand.

Kiwi and Aussie screen legends Sam Neill and Michael Caton have teamed up in this heartfelt and humorous remake of Grímur Hákonarson’s 2015 Icelandic original. The template of Hákonarson’s story has been transplanted but all the details and fillings have changed. Director Jeremy Sims pitches us in Australian sheep country, a sunny and laconic world where life flows at a pretty breezy pace.

The Sutton Hoo burial site in Suffolk has proved to be one of the most valuable archaeological finds ever made in Britain, shedding priceless light on the Anglo-Saxon period of the 6th and 7th Centuries.

This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director Wolfgang Kohlhaase but made by the Ukrainian director Vadim Perelman.

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo, taken by Malcolm X would make the moment iconic, marking a shift away from the horrors of Jim Crow America to the passing of the Civil Rights Act. 

The blurb for Peter Pan: The Audio Adventure, Shaun McKenna’s new adaptation of JM Barrie’s classic, tells us, with a hint of firm matronly love, that it is “to be enjoyed with a large cup of cocoa before bed”.

It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of opening and closing, the blockbusters were nowhere to be seen.

There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life was cut tragically short this year from bowel cancer. 

The twelve days of Christmas have nothing on the flotilla of Christmas Carols jostling for view this season, each of which is substantially different enough from the next so as to give Dickens's 1843 story its prismatic due.