Damien Hirst this week unveiled No Love Lost, Blue Paintings among the Old Masters at the Wallace Collection. Although an exhibition of 25 new paintings by Britain's most talked-about artist might seem a change of direction, Hirst takes a different view. The new works, created between 2006 and 2008, mark the artist's return both to hands-on production and a quieter life at home. Is it the recession? Or is he getting old?

Damien Hirst's new exhibition at the Wallace Collection is evidence of a deal between nervous guardians of the past and a contemporary artist seeking to burnish his future historical credentials. It stinks. Entitled No Love Lost, Blue Paintings by Damien Hirst ­ - the clunking allusion to Picasso's Blue Period marks out the scale of Hirst's ambition -­ it presents 25 paintings that we are assured are actually by Hirst rather than a cohort of assistants.