BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - an International Women's Day special

★★★★ BBC PHILHARMONIC, BIHLMAIER, MANCHESTER An International Women's Day special

Spotlight on today’s composers and one of their sisters from the past

Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to mark International Women’s Day, and consisting entirely of music by women composers, past and present.

Best of 2024: Classical music concerts

BEST OF 2024: CLASSICAL MUSIC CONCERTS Young and old in excelsis

Young and old in excelsis, and competition finales turned into winning programmes

As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I’ve sometimes started by celebrating youth, and it’s good to be able to do that in the shape of two competition finales totally satisfying as programmes. The palm, though, goes to two veterans who made me wonder at their ease and natural communication.

Blu-ray: The Music Lovers

★★★★ BLU-RAY: THE MUSIC LOVERS Ken Russell's audacious, OTT Tchaikovsky biopic

Audacious, OTT Tchaikovsky biopic from music-loving director Ken Russell

Discussing 1971’s The Music Lovers with writer John Baxter, director Ken Russell suggested, among other things, that “music and facts don’t mix”. They don’t always line up here, but this film does stand up as a worthy successor to the BBC’s Delius: Song of Summer and Dance of the Seven Veils, the latter deemed so offensive by the Strauss estate that it remained unseen for 50 years.

The Butterfly House, Clonter Opera review - Puccini in biographical briefs

★★ THE BUTTERFLY HOUSE, CLONTER OPERA The life and many loves of the composer told with his own music

The life and many loves of the composer told with his own music

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be opera stars by giving them a chance to perform in undemanding conditions under the guidance of experienced professional.

It all began with audiences sitting on straw bales in a barn, and only after a purpose-built theatre came into being was there a small pit enabling something more than piano accompaniment for major productions.

First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation

COLIN ALEXANDER & HELOISE WERNER on new compositions offering freedom in performance

On five new works allowing an element of freedom in the performance

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge and mingle together to tell tales of a rain-speckled landscape, luck and misfortune, forgotten valour, daily creative rituals and memories slowly vanishing into flames.