A traditional Korean house has appeared at Tate Modern. And with its neat brickwork, beautifully carved roof beams and lattice work screens, this charming dwelling looks decidedly out of place, and somewhat ghostly. Go closer and you realise that, improbably, the full-sized building is made of paper. It’s the work of South Korean artist Do Ho Suh (main picture).

The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the rest of the work tries hard to avoid openly confronting – grief.

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.

Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.

Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite what Andrei Rublev had in mind 600 years ago.

From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share their favourite books of 2022. 

Donna Fleming’s exhibition at the Pie Factory Gallery in Margate is called Apocalypse, which is confusing because it has nothing to do with the end of the world. Fleming does not even watch the news because she “does not want to think about miserable things”. Instead the title refers back to the Greek word that apocalypse is derived from, apokalypsis, which means uncovering.

A life in art, a life in looking; a life in writing, a life in reading; a life fuelled by passionate emotions, personal attachments and religious turmoil. There are a few artists whose lives are so intertwined with their work that their biography as well as their art achieves a kind of mythic status, but outstanding among them is the Dutchman Vincent van Gogh (1853–1890). Despite the fact he only lived for forty years and was a fully practising artist for only seven of those, looking at Van Gogh is a ceaseless endeavour.

Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms.