Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Women in tune, musical improv, and a backstage story

Flat & the Curves, Pleasance Dome 

Flat & the Curves – Katy Baker, Charlotte Brooke, Issy Wroe Wright and Arabella Rodrigo – perform a gig-style musical comedy show with risqué material about what it means to be a modern woman. And there's a generous side helping about the inadequacy of men, too.

The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus

THE SPONGEBOB MUSICAL, QEH Musical based on kids' animation sinks for lack of focus

Fine performances cannot save a pedestrian book that soaks up over two hours with 20 minutes of plot

There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours barging into your eyeline – fluorescent yellow, eye-bleeding orange, vomity green.

Trojan Women / Thrown, Edinburgh International Festival 2023 reviews - passionate all-women productions

EDINBURGH INTERNATIONAL FESTIVAL Trojan Women / Thrown

Overwhelming power in a hybrid of Eastern and Western traditions, though a more modern take on female identity issues struggles to convince

Trojan Women, Festival Theatre 

Macbeth, Shakespeare's Globe review - uneven production of intermittent power

 MACBETH, SHAKESPEARE'S GLOBE Uneven production of intermittent power

Matti Houghton shines as a grieving, accusing, frustrated Lady Macbeth

That Shakespeare speaks to his audiences anew with every production is a cliché, but, like so many such, the glib blandness of the assertion conceals an insistent truth. The Thane of Glamis has had some success in life, gains preferment from those who really should have seen through his shallowness and vaulting ambition – he even says the phrase himself – and achieves power without really knowing what to do with it.

Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Gripping one-man play, and Covid revisited

Groomed Pleasance Dome

“How can a truth be told? How can a secret be spoken?” Patrick Sandford asks in Groomed, his searingly honest account of his experience of abuse by a teacher at primary school several decade ago. Over 50 minutes he recounts his tale, weaving in other stories to illuminate his own.

Edinburgh International Festival 2023 reviews: FOOD / Dusk

EDINBURGH INTERNATIONAL FESTIVAL THEATRE 2023 FOOD / Dusk

Our compulsion to consume and our acceptance of outsiders investigated in two visually impressive shows

FOOD, The Studio 

There’s no denying it: Los Angeles-born Geoff Sobelle is a theatrical magician (quite literally – it’s how he began his career). Through a string of visually spectacular shows on the Fringe and more recently at the International Festival, he’s unleashed wildlife into the streets of Edinburgh, drawn aeons of history from a cardboard box, and even constructed an entire house on stage.

Edinburgh Fringe 2023 reviews: The Death and Life of All of Us / Anything That We Wanted To Be / Chicken

Three solo shows at Summerhall cover family secrets, untrodden life paths - and poultry celebrity

The Death and Life of All of Us, Summerhall 

Victor Esses was 16 when he first discovered his grandmother had a sister – someone the family had never discussed. It was just a year after his own first illicit visit to a gay sauna.