The Windsors: Endgame, Prince of Wales Theatre review - fitfully pointed fun

★★★ THE WINDSORS: ENDGAME, PRINCE OF WALES THEATRE Popular TV show gets a sometimes riotous stage perch

Popular TV show gets a sometimes riotous stage perch

Opposite the playhouse where the sometimes-wild royal comedy The Windsors: Endgame has just opened is the Bubba Gump Shrimp Company seafood restaurant. The eatery is of course inspired by Robert Zemeckis's hit 1994 film Forrest Gump, and watching The Windsors brought to mind the autistic savant's celebrated aphorism derived from his mother: "Life is like a box of chocolates. You never know what you're gonna get.”

Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

★★★★★ TWELFTH NIGHT, SHAKESPEARE'S GLOBE Foot-stompingly good fun

Michelle Terry is gunning for a second Olivier with her first Viola

The best version of Twelfth Night I’ve seen is not called Twelfth Night. For sheer knockabout entertainment, nothing beats the 2006 film She’s the Man. But Sean Holmes’ production for the Globe’s summer season, brimming with song and physical comedy, comes a worthy second.

Big Big Sky, Hampstead Downstairs review - a perfectly realised character study

★★★ BIG BIG SKY, HAMPSTEAD DOWNSTAIRS A wonderful play about decent people

This poignant, uplifting play is just what we need right now

Get to Swiss Cottage early because Bob Bailey’s set for Tom Wells's new Hampstead Downstairs play Big Big Sky is a feast for the eyes. Angie’s cafe has the scrapey chairs, the tables you know will wobble a little if you get that one (and you will) and a blackboard menu that just needs a misplaced apostrophe or two to be truly authentic.

Bagdad Café, Old Vic review - sweet but scattershot

★★★ BAGDAD CAFE, OLD VIC Stage adaptation needs more narrative drive

Stage adaptation of 1987 film needs more narrative drive

A gorgeous song exists in search of a show to match over at Bagdad Café, the 1987 film that gave the world the memorably plaintive "Calling You", which is threaded throughout Emma Rice's stage adaptation of the movie with understandable insistence.

Oleanna, Arts Theatre review - Mamet on power and tragedy

★★★★ OLEANNA, ARTS THEATRE Mamet on power and tragedy

David Mamet’s most controversial play retains its explosive charge

Before seeing this play, I decided to eat a steak. It seemed the right culinary equivalent to David Mamet, one of America’s most provocative and, at times, especially past times, red-blooded writers. This play, whose British premiere was at the Royal Court in 1993 – when it starred David Suchet and Lia Williams – now arrives in the West End from Bath’s Theatre Royal.