Album: Nick Mulvey - Dark Harvest Pt.1
Fourth album from unique singer-songwriter is patchy but contains gold
Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare released this century. With his last album, 2022’s New Mythology, his ayahuasca-fuelled search for spiritual meaning went full-blown mystic. Where has it led him? To Jesus.
Album: Boris - W
The Japanese doom metal / dreampop trio on the form of their lives
This is just boggling. The Japanese rock trio Boris have been together in the same lineup for over a quarter of a century – and it’s longer still since their original formation – but they’re outdoing themselves record by record. Their last record, NO, was the most energetic record they’ve ever made.
Album: Elvis Costello and the Imposters - The Boy Named If
Nothing will ever stop our super-gifted Elvis
There is a sense in which Elvis Costello emerged as a recording artist fully grown, with that unique vocal mix of vulnerability and insolence, savvy and often brilliant lyrics. Although he has never stopped experimenting, always with the logic of a musical connoisseur, it was all there, one could say, with “Less Than Zero”, his timeless first single on Stiff.
theartsdesk in Fes - world music central
A new Renaissance at this Moroccan festival of global sounds
With WOMAD not happening this year, where could one go for a feast of global sounds? Fes in Morocco has been presenting its sacred music festival for 29 years. I’ve been several times and although this wasn’t an absolute classic, it was as ever, full of extraordinary moments.
Songhoy Blues, Hare & Hounds, Birmingham review - West African crew raise the roof
Reduced Malian band take Birmingham by storm
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music over attention-grabbing and ill-conceived populist policies. Mali’s Songhoy Blues, unfortunately, have now found themselves at the receiving end of such nonsense.
Album: Pulp - More
The very opposite of past it, this immersive offering is perfectly timed
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more dignified experience is on offer from Sheffield. More is Pulp’s first album for 24 years, which is a sobering fact for those of us who still remember the first time. Thankfully, this isn’t a reprisal of past glories but a vibrant and moving work of some significance. They’ve ripened delightfully and are living proof that age does not diminish creativity or relevance.
Album: Turnstile - NEVER ENOUGH
Hardcore, ambient and everything in between
Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since their formation in 2010, Turnstile have been known for injecting a fresh, genre-blurring energy into hardcore punk. With each release, they’ve pushed further into new territory, and NEVER ENOUGH might be their most fearless leap yet. While still rooted in the intensity that defined their early work, this record expands far beyond those borders, bringing in lush textures, genre-blending arrangements and a bold sense of experimentation.
Album: Little Simz - Lotus
A major hurdle in the UK star's career path proves to be no barrier
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”: unambiguously a lyrical barrage at her childhood friend and frequent collaborator Inflo, who Simz is currently suing for alleged failure to repay £1.7 million in loans for ambitious recording and performance projects.
Music Reissues Weekly: Pete Shelley - Homosapien, XL-1
What happened after the heart of Buzzcocks struck out on his own
Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the Manchester band which had been integral to British punk since 1976, the other members thought it was still a going concern. Shelley had reached a different conclusion.