DVD: The Kid/ The Great Dictator

Compare and contrast two Chaplin classics

There was a celebrated two-word come-on to 1930s movie-goers. “Garbo Laughs!” was a poster strapline calculated to seduce fans of the mournful Swedish star to Ninotchka, in which her character had an unwonted fit of the giggles. Audiences were rather more conflicted when another cinematic embargo was ended. In The Great Dictator, Chaplin talks.

Four Lions

Chris Morris's film debut, about terrorism - funny though it is - pulls its punches

It’s an accepted truth that Chris Morris is a comedy genius. Now the word "genius" is so overused in some quarters as to be rendered meaningless, but in Morris’s case it's a richly deserved description; he created or co-created some of the funniest, cleverest and most original comedy on British television, including The Day Today, Brass Eye and Jam. Not a bad CV, even if it also contains the rather less amusing Nathan Barley.

Katy Brand, touring

Katy Brand: her sketch comedy baits celebrities and spoofs pop music

Entertaining celebrity spoofing from a young old pro

The first time I saw Katy Brand was at the Edinburgh Fringe in 2005, where she was performing Celebrities Are Gods in a tiny, windowless basement late at night. Hers was the last show in the room, which by now was a fetid sweatbox, and only a few hardy souls had turned up. But it was a memorable evening, not only because Brand’s talent was plain to see, but also because, undaunted by the circs, she performed with the confidence of an old pro even though she was only 26.

Platée, Opera du Rhin

A silly frog in love makes for a vividly enjoyable staging of Rameau's witty opera

French geography has a significant hand in the small but exuberantly formed opera and dance that comes out of that civilised country - scaled for the important theatres that lie far beyond Paris and which have a great deal to teach Britain about creating a vivid national landscape.

theartsdesk Q&A: Sarnath Banerjee

Sarnath Banerjee: 'Everybody has his own aesthetics; but mine are a bit… wonky.'

Graphic novelist from India takes on Che Guevara in Africa

When the subversive graphic artist Sarnath Banerjee won a MacArthur grant he opted "to research the sexual landscape of contemporary Indian cities", embroiling himself in the aphrodisiac market of old Delhi and introducing the English reading public to the great Hindi word swarnadosh (erm, "nocturnal emissions"). Banerjee (b. 1972) is generally credited with having introduced the graphic novel to India. Incorrectly, as it happens; but with Corridor (2004) and The Barn Owl’s Wondrous Capers (2007) – over and above his work as illustrator, publisher and film-maker – the Goldsmiths-trained Delhiite has more than made his mark on the rampant Indian art(s) scene.

Art Gallery: Sarnath Banerjee

A Che comic-strip set in Africa that satirises men's midlife violence crisis

The subversive artist and film-maker Sarnath Banerjee, credited with introducing the graphic novel to India, features in a London show, Royale With Cheese, at Aicon Gallery, 8 Heddon Street, London W1, where his eight-scene graphic narrative Che in Africa is displayed. You can see it here. And read the interview with him here: "I’m very interested in the disreputable men of history, especially the Big Men in Africa – the leaders known as the grandes légumes..."

DVDs Round-Up 5

Gems old and new from the March line-up of DVD releases.

Two films with a East European flavour, Katalin Varga and Tales from the Golden Age, are among our March selection, which also includes the lovely, bittersweet Irish drama Kisses. Our US release (available worldwide, of course, by mail-order) is Wim Wenders' Paris, Texas with succulent extras. Alastair Sim stars in Guy Hamilton's 1954 film of An Inspector Calls, while the late Edward Woodward lives on in the Callan box-set.

Progress, Union Theatre

Doug Lucie’s 1984 satire on class and sex stands up well a generation later

Sexual politics has always been fertile (oops) ground for comedy, and Doug Lucie’s vigorous satire — whose 1984 premiere starred Lindsay Duncan, David Bamber and Kevin Elyot — is here given a revival on the London fringe. We are in Kilburn during the Thatcher era, and the local trendy lefties have turned inward. As thirtysomething Will and his wife Ronee decide to experiment with radical sexual politics, the men’s group that he hosts explores, often hilariously, the subject of sexism and what it might mean to be a New Man.

Six Degrees of Separation, Old Vic

Lesley Manville stars in John Guare's landmark 1990 play two decades down the line

John Guare's brittle satire, first produced in New York in 1990, was propelled by two phenomena. The first was a certain David Hampton, a con man who persuaded a suite of gullible Manhattan socialites that he was Sidney Poitier's son (and who, when Guare's play became a hit, pestered the playwright for a cut of the profits). The second was the theory, developed by various writers and social psychologists and vastly popularised by Guare, that "everybody on this planet is separated by only six other people".

The Misanthrope, Comedy Theatre

Keira Knightley starts lightweight in this modern Moliere adaptation but grows into the role

She’s the most famous young pout in Hollywood. And her first West End appearance has already sparked a media frenzy, making this contemporary version of Molière’s The Misanthrope the hottest ticket in town, with massive advance bookings already guaranteeing anyone associated with the show a credit-crunch-proof Christmas. Of course, I’m talking about Keira Knightley – I mean, who isn’t? But what about the play, which opened last night with a barrage of paparazzi flashbulbs?

Subscribe to satire