The Saphead gave Buster Keaton his first starring role in a full-length comedy, but 1923’s Three Ages is the first feature film which he wrote, produced, directed and starred in. Two-reelers were a form where he could go, in his words, “wild and crazy”, the more outlandish the visual humour the better.

Despite its cursory nods to new technology, there’s something deliciously old-fashioned about Only Murders in the Building. Now into its third series, it tells the stories of a trio of affluent Manhattanites who make true-life podcasts about the mysterious deaths that occur in their palatial Upper West Side apartment building.

Young women who were riveted by Helen Fielding’s Bridget Jones columns in the 1990s are now probably of the age where the menopause is, or has recently been, a bigger concern than landing your own Mr Darcy. Which is why Bridget Christie’s The Change (Channel 4) has arrived with ideal timing.

We all need a break from time to time, especially now given the grim state of the world. So it’s not surprising that comedy is making something of a comeback in the West End: Operation Mincemeat; The Unfriend seen recently at this theatre; The Play that Goes Wrong and all its offshoots; and now Bleak Expectations, an affectionate send-up of the various tropes of Charles Dickens.

Anyone expecting to see the Big Yin himself, Gary McNair breathlessly explains as he dashes on stage, should nip out and ask the box office for a refund. It’s an ice-breaking gag that sets the tone nicely for McNair’s fast-moving, often snort-inducingly funny tribute to Billy Connolly, whose production by the National Theatre of Scotland is touring the country until the end of June.

In 10 series stretching over the last 18 years, ITV's Doc Martin unobtrusively became an enduringly popular household name, but it finally reached the end of the road with this Christmas one-off. Unless, of course, there’s a prequel, a sequel, an origin story or a transformed internationalised version from Netflix.

There’s nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casino resort mega-shows and even The Masked Magician to pull back the curtains, but there’s a frisson in the air when the card that’s in your head appears in the conjuror’s hand. Roll in a spot of cabaret and circus and the tang of transgression tingles on the tongue, the grim world of the natural sliding away, the supernatural its welcome substitute. 

Buster Keaton made his name in a series of two-reel shorts made from 1917 onwards; The Saphead, from 1920, was his first starring role in a feature film.

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a new job as a house-sitter for a disdainful and ridiculously wealthy couple, Nina and Christian Kolstad-Bergenbatten (Jing Lusi and Julian Rhind-Tutt, pictured below). They live in a high-tech superhome in countless acres of lush green countryside.

Acidic showbiz drama Hacks premiered on HBO Max in the States a year ago, and subsequently won a hatful of awards including three Emmys. Now, here it is on Prime Video, so we can get to see what all the fuss is about.