ITV’s Sunday evening costume drama slot is filled for the next six weeks with this lacklustre adaptation of JG Farrell’s satirical novel, The Singapore Grip. Set in 1942, it was written in 1978 as the final part of his trilogy about British colonialism in Ireland, India and the Far East.

Could you cope with spending three years away from your family and loved ones while you went on the first crewed mission to Mars? This is the question that underpins Away, Netflix’s new space exploration drama.

The BBC’s version of James Herriot’s books about his life as a Yorkshire vet became a weekend TV staple, running for seven series and a couple of Christmas specials between the late Seventies and the start of the Nineties.

Last night I dreamt I went to Manderley again, except somebody had renamed it The House at Knockdara. This was the title of the first novel by Michael Callaghan, Cambridge literature don, aspiring writer and serial seducer of his female students. Played here by Emmett J Scanlan, in young-fogey tweeds and Ernest Hemingway beard, Callaghan had “F for Fake” running all the way through him.

Diarist, novelist and writer of erotica Anaïs Nin lived a brilliantly-coloured life littered with affairs with literary A-listers (Henry Miller, John Steinbeck, Lawrence Durrell et al).

We knew that Michael Sheen was a skilful and versatile actor, but lately he’s been getting dangerously good. Last year he roared into the third season of The Good Fight as the outrageous drug-fuelled lawyer Roland Blum, like an explosive fusion of his fellow-Welshmen Richard Burton and Anthony Hopkins.

Based on Philip Roth’s 2004 novel of the same name, The Plot Against America flashes back to the global turbulence of the 1940s to depict a counterfactual America that turns to the dark side. Instead of the re-election of Franklin D Roosevelt for a third term in 1940, the aviation pioneer and wildly popular celebrity Charles Lindbergh is elected President, on a platform of keeping America out of the new war in Europe.

In the midst of our increasingly confrontational politics of race and gender, it was a timely move to make this series (on BBC Two) about Seventies radical feminism and the battle over the Equal Rights Amendment (ERA) in the USA, even if some of the minutiae are liable to sound abstract or alien to British viewers.

American history of the 1930s and ‘40s suddenly seems to be all the rage on TV, cropping up in the reborn Perry Mason, Das Boot and now this new incarnation of Penny Dreadful (Sky Atlantic). The original was a blowsy Gothic mash-up of Dracula, Frankenstein, Jekyll & Hyde and anything vaguely related that could be made to fit.

The second series of Das Boot (Sky Atlantic) began strongly, and by the time we reached this last pair of episodes it was almost too agonising to watch. You could argue that it sometimes overreached by stretching the scope of the narrative to breaking point, but at its core it’s a study of human values under impossible pressure.