Das Boot made an impressive debut early last year with its entwined narratives of war by land and sea.
Reese Witherspoon has evolved into a growth industry on the new frontier of Big Television. Her production company Hello Sunshine has a heap of projects on the go with a range of networks, and following her success with Big Little Lies (for HBO), Little Fires Everywhere comes to you courtesy of Hulu (in the US) and Amazon Prime.
This short series of new dramas (on BBC Four) by a group of leading playwrights was commissioned by Headlong and Century Films, a week before the virus lockdown was announced on 23 March, and represents an artistic first response to a situation nobody can fully comprehend.
In the time since the show’s inception four years ago, arguments have raged as to whether Westworld is a dud or a cult classic. For every dedicated fan, there’s someone out there crying, "The Matrix did it first!" and complaining that the plot didn’t make sense (it did).
You might consider equipping yourself with a shotgun and kevlar body armour before you start watching Gangs of London (Sky Atlantic), because this is a bruising, hair-raising ride. Created by Gareth Evans and Matt Flannery, it began with the televisual equivalent of being thrown from a fast-moving vehicle, as we saw a terrified man dangling on a rope over the edge of a high-rise building.
James Graham’s play Quiz was a hit in Chichester in 2017 and then made a much-admired transfer to the West End. Considering its subject matter – the fabled “Coughing Major”, Charles Ingram, who allegedly cheated his way to the titular seven-figure sum on Who Wants to Be a Millionaire? – it was a natural for TV.
She's not quite a household name yet, but Leeds-born Gemma Whelan is heading speedily in that direction. Having started out as a standup comedian, winning the Funny Women Variety Award in 2010, Whelan began notching up film and TV roles, en route to making a significant breakthrough by being cast as Yara Greyjoy in HBO's Game of Thrones.
While not the most headline-catching show on Netflix, Ozark has been steadily accruing critical accolades (including a couple of Emmys) and a devoted audience. Perhaps this superb third series will mark the tipping point where Ozark crosses over from cliqueishness to mass adulation.
The Marvel Cinematic Universe has been saturating the globe with its multi-format superheroes, leaving its DC rival looking clumsy and disorganised by comparison. However, DC’s “Arrowverse” – a roster of TV shows including Arrow, The Flash and Supergirl – is part of its fight-back effort, and now joining its ranks is this new take on the Batwoman character (E4).
