Law and Order, BBC Four review - not a fair cop

★★★★ LAW AND ORDER, BBC FOUR GF Newman's 1978 series about police corruption intrigues

GF Newman's 1978 series about police corruption still intrigues

In the late 1970s the British establishment sustained a bloody nose. Roland Huntford published his debunking of Captain Scott and Anthony Blunt was outed as the Fourth Man, while the Old Etonian Liberal party leader Jeremy Thorpe was tried for conspiracy to murder.

Deep State, Fox review - secrets, lies and spies

★★★★ DEEP STATE, FOX Retired spy Max Easton is pulled back for one last mission, with sinister consequences

Retired spy Max Easton is pulled back for one last mission, with sinister consequences

Fox is very keen to stress that Deep State is the first original production by its Europe & Africa division, the most obvious sign of which is that none of it was shot in New York or LA. But it has clearly been designed as a sleek international thriller with bags of export potential (it’s already being sold in the US and Europe, and series two is in the works), a kind of Jason Bourne-meets-The Night Manager.

Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclear

★★★★ ORDEAL BY INNOCENCE, BBC ONE Agatha Christie goes nuclear

Delayed adaptation is a tangy brew of blood, bricks and bad mothers

Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For the latter, Ridley Scott reshot every scene which featured Kevin Spacey, subbing in Christopher Plummer.

Come Home, BBC One review - a drama of family disintegration, divided loyalties

★★★ COME HOME, BBC ONE A drama of family disintergration, divided loyalties

A mother leaves her children: Christopher Eccleston and Paula Malcomson star in Danny Brocklehurst's new creation

A woman walks out on her husband and their three kids – two teens, one five-year-old - after 19 years of marriage. She doesn’t want custody. What could be so wrong with the man that she’s driven to such drastic action? Eleven months later, Greg (Christopher Eccleston, anguished but plucky, with a shaky Northern Irish accent) doesn’t seem to have the answer.

The Good Fight, Series 2, More4 review - the longer they do it, the better it gets

★★★★★ THE GOOD FIGHT, SERIES 2, MORE4 The longer they do it, the better it gets

Public perils and private passions as the scintillating legal saga returns

The mystery remains of why they keep tucking away The Good Fight on More4, as they did with its illustrious predecessor The Good Wife. No disrespect to 4’s ancillary channel – now seemingly the designated last resting place of Grand Designs – but it’s like hanging a sign on the door saying “niche viewing, please knock quietly before entering”.

The Durrells, Series 3, ITV review - a winter warmer from Corfu

Take a load off with some Mediterranean escapism

When ITV scheduled this new series of The Durrells for mid-March, they probably didn’t imagine it would coincide with the return of the Beast from the East, with its blizzards and plummeting temperatures. Under these deep-frozen circumstances, what could be more reassuring than to batten down the hatches and take a trip to the glittering Mediterranean and the mountains, blue skies and historic architecture of Corfu?

13 Commandments, Channel 4 review - murder most Flemish

★★★ 13 COMMANDMENTS, CHANNEL 4 Murder most Flemish

Belgian crime drama from Walter Presents borrows the plot of 'Seven'

To Belgium for the latest continental instalment of murder really rather unpleasant. 13 Commandments, yet another crime drama brought to Channel 4 under the auspices of Walter Presents, began with the grizzliest manner imaginable.

Collateral, series finale, BBC Two - Carey Mulligan hares to the finish

★★★ COLLATERAL, SERIES FINALE, BBC TWO David Hare's state-of-the-nation procedural totters under the weight of its own ambition

David Hare's state-of-the-nation procedural totters under the weight of its own ambition

In a revelatory interview for the Royal Court’s playwright’s podcast series, David Hare admits to a thin skin. In his adversarial worldview, to take issue with him is – his word – to denounce him. He’s quite a denouncer himself, of course.