Peter Moffat, author of Silk and The Village, has turned his sights on the last days of Empire for his latest series. Specifically, Moffat has mined his own memories of growing up in a British Army family in Aden in the 1960s, where his father was in the Military Police.

There’s a moment in The Deuce (Sky Atlantic) – a rare quiet one – where a working girl called Darlene is visiting a kindly old gent on her books. He has A Tale of Two Cities on his TV, the old black and white version with Dirk Bogarde as Sydney Carton preparing to do a far far better thing. As the final shot of the guillotine pulls back over the Paris rooftops, Darlene (played by Dominique Fishback) can’t believe what she’s just seen.

As Sky’s Head of Drama Anne Mensah puts it, her ambition is to “stay local but look global”. This might serve as a motto for television in its entirety, as technology swallows the planet and TV is increasingly shaped by coalitions of international broadcasters and production companies. Internet streaming services have abolished national boundaries far more effectively than the European Commission ever could.

There are two Williams brothers – Jack and Harry – who are mainly known for two series of The Missing. No chance of the Williamses going missing. Quite the reverse. As of today – Monday 11 September – they seem to have cloned. Two new drama series by the Williams boys have started on BBC One and ITV at exactly the same minute, and they will both conclude at the same instant six episodes later.

Could handsome, successful, designer-stubbly Ioan Gruffudd really be a rapist? Yes, according to schoolteacher Laura Nielson (Joanne Froggatt). No, according to Gruffudd’s character Andrew Earlham, a distinguished surgeon and widower apparently horrified to be accused of such a thing.

When the ITV comedy drama Cold Feet returned last year after a 13-year break, it seemed something of a risk. Looking back, after the near-universal acclaim and excellent viewing figures, it’s difficult to think it could have been anything but a sure-fire hit.

Forget Christopher Eccleston and the Lake District. Two years on, Ed Whitmore’s ready-mix thriller Safe House returns with Stephen Moyer in Merseyside. He plays Tom Brook – not the venerable film critic (Talking Movies is still showing on BBC World), but an ex-cop convinced his successors are making a dreadful mistake.

They say that living well is the best revenge. To be fair, they also say it’s a dish best served cold and I’m pretty sure they’re thinking of gazpacho, so I’m not entirely clear how much real meaning is to be found in these dictums.

So who killed Cinnamon? Six weeks ago we saw the strangled sex-worker – packed in a pink suitcase – pushed into Bondi Bay. The finale of Top of the Lake: China Girl withheld enlightenment. Puss, the chief suspect, denied responsibility. Why would the baby-farmer destroy such a valuable (pregnant) asset?

Trust Me made an eponymous plea to the audience. Its implausible premise – that a nurse might steal a doctor’s identity and land a job in A&E – called for your credulity. Around the broadcast of the drama's first episode on BBC One, sundry articles sprang up in the media offering supportive evidence that just such scenarios often come to pass for real.