”The domestic” over at 27, The Hill turns out to be decidedly undomestic. The murderer's basement lair so resembles the blood-splattered dens of every other serial killer that has ever graced the big and small screen (right down to the sickly green light) that it’s hard not to contemplate the notion that there’s some kind of grim finishing school that all blossoming sadistic bastards are obliged to attend before getting their licence to kill.

With the BBC still in the middle of shooting their revival of Upstairs, Downstairs, ITV1 have nipped in ahead of them with Julian Fellowes's spiffing new sundown-on-the-aristocracy drama. In a battle of the stage dames, the Beeb has bagged Eileen Atkins, whereas ITV has signed up Maggie Smith as Violet, Dowager Countess of Grantham. So far she has not been called upon to say, "A handbag?"

To most the music will be more familiar than the name. Geoffrey Burgon, who has died, devoted only a minor portion of his career to composing for television.

He also wrote for piano, for trumpet (which he studied at Guildhall School of Music and Drama), for guitar quartet and all manner of chamber group. In 1991 he composed an operatic version of Dickens's Hard Times. Above all he composed for choirs - most notably his Requiem for the Three Choirs Festival in 1976.

Another new cop show? How marvellous! I feared the worst, hearing that this one was about a special unit set up by DSI Martha Lawson (Keeley Hawes) to combat the ever-growing threat of identity theft. It sounded rather po-faced and bureaucratic, frankly, but I’m pleased to report that it hasn’t turned out badly at all.

The world isn’t exactly sending up distress flares urgently demanding more cop shows, but this new effort from ER’s producer John Wells proves that the genre can still be cranked into life if the writing is strong and the performances feel authentic. Catching the precise tone is always critical, and evidently some pushing and shoving went on about exactly where Southland should be pitched. Its original Stateside host, NBC, started it at 10pm, planned to air the second series at 9pm, then dropped the show altogether.

Alan Plater's final drama for television, Joe Maddison's War, is due to be screened on ITV this autumn. Fittingly, it gave the Jarrow-born Plater the opportunity to revisit his background in the north-east. The story is set on Tyneside during World War Two, and reflects the impact of the war on a closely knit group of working-class families. The cast looks a little like Plater's own extended family, since it includes Geordieland stalwarts Robson Green, Kevin Whately and Trevor Fox (of the latter, the writer commented that "he was sent on this earth to do my stuff").

I always liked that line in the 1960 Spartacus movie when Spartacus's lover Varinia (Jean Simmons) is bidding a silent farewell to the crucified rebel gladiator. "Tell da lady no loidering," growls the Roman sentry standing guard nearby. I can't tell you whether the line will appear in this new and lurid rehash of the Spartacus legend, though if it does it won't have quite the same Bronx ambience about it since most of the accents are from the Antipodes, the series having been shot in New Zealand.

Idris Elba’s screen career is going so swimmingly that you wonder what can have tempted him back to Blighty. Probably not the weather, since the former denizen of Canning Town now lives in Florida, and is in perpetual demand Stateside thanks to the extreme hotness engendered by his portrayal of Russell “Stringer” Bell in The Wire. He was in the American version of The Office, co-starred with Beyoncé in Obsessed, has several movies in production and will executive-produce a new legal drama series for NBC.