Prom 1, BBCSO, Oramo review – spectacular First Night of the Proms

★★★ PROM 1, BBCSO, ORAMO Spectacular First Night of the Proms

Dynamic but sensitive Holst, multi-media show high on spectacle but low on substance

The First Night of the Proms is always a tricky one to programme, bringing together themes of the season, perhaps a new work and, most importantly, a grand finale. This year’s Prom No. 1 ticked all the boxes, and without feeling like pick-n-mix.

Ariadne auf Naxos, Longborough Festival review - appetising energy and wit

★★★★★ ARIADNE AUF NAXOS, LONGBOROUGH FESTIVAL Strauss's chamber masterpiece brilliantly staged, finely played and sung

Strauss's chamber masterpiece brilliantly staged, finely played and sung

Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the final love duet and gently letting out some of its gas.

Classical CDs Weekly: Martin, Martinů, Vivaldi, 4 Girls 4 Harps

CLASSICAL CDS WEEKLY Martin, Marti, Vivaldi and 4 Girls 4 Harps forensically scrutinised

Unaccompanied choral music, baroque concertos and a harp quartet

 

Secret MassThe Secret Mass: Choral works by Frank Martin and Bohuslav Martinů Danish National Vocal Ensemble/Marcus Creed (OUR Recordings)

Bavarian State Orchestra, Kirill Petrenko, Barbican review - Mahler's Seventh as dance suite

★★★★★ BAVARIAN STATE ORCHESTRA, PETRENKO, BARBICAN Mahler's Seventh as dance suite

The febrile master bound for Berlin makes life-enhancing magic with his Müncheners

Serendipity as well as luxury saw to it that the night after Simon Rattle gave his farewell Festival Hall performance as music director of the Berlin Philharmonic, his imminent successor appeared over at the Barbican with another excellent German orchestra.

theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative Passion

RIP BERNARD HAITINK (1929-2021) Distilled wisdom in Lucerne conducting masterclasses

Greatest living conductor lights the way as mentor in three days of musical excellence

Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not ruling anything out). That was the hook to visit this year's Easter Festival.

Martín, SCO, Ticciati, Usher Hall, Edinburgh review - farewell to the best of chief conductors

★★★★★ SCO, TICCIATI, USHER HALL, EDINBURGH Farewell to the best of chief conductors

Electrifying Dvořák 'New World' from a dream team

The Scottish Chamber Orchestra’s final season concert conducted by Robin Ticciati, who leaves his post as chief conductor of the SCO for the Deutsches Symphonie-Orchester Berlin, was bound to be an emotional occasion. Spanning a decade, the relationship between orchestra and conductor has been a very special one indeed, and has seen an abundance of success over the past 10 years.