It’s difficult to tell whether Press (BBC One) came to praise newspapers or to bury them. The slugfest between preachy liberal do-goodery and mucky market-led skulduggery ended in a score draw, with the main protagonists living to fight another day and speak to their ever more polarised silos. Any sensible viewer might have concluded that the plot was stark-raving amphetamine-enriched baloney.

So Wanderlust (BBC One) has ceased wandering and its angsty parade of characters have left a sentence unfinished for the last time. In the end, where were we, compared to where we’ve been? The final episode opened with Joy, like King Alfred, burning the pancakes. Seemingly her boats had suffered the same fate, atomised under the centrifugal forces of love and lust, but also a mass break-out of grief. She tried filling the void with muffins.

Re-casting a beloved character always carries a measure of risk. Solo: A Star Wars Story relied on the willingness of fans to buy in to Alden Ehrenreich as a younger incarnation of Harrison Ford: the film bombed (you know, in Star Wars terms, since it barely made $400 million).

Following the runaway success of Bodyguard, Jed Mercurio is no doubt popping more champagne and saying “follow that”. Stepping up to BBC One’s Sunday 9pm slot is The Cry, which transports us from suicide bombs and political intrigue and instead immerses us in the emotional plight of new mother Joanna (Jenna Coleman) and her partner Alistair (Ewen Leslie).

And breathe. Bodyguard – not, as even some careless BBC broadcasters keep calling it, "The Bodyguard" – careered to a conclusion as if hurtling around a booby-trapped assault course. It turned out that, contrary to a popular theory about Jed Mercurio's BBC One thriller, the Home Secretary Julia Montague was not secretly alive and well and hiding round the corner in a crazy Mercurioso twist.

What signals the end of a relationship? The loss of attraction? Infidelity? Or is it, as Wanderlust explores, something more innocuous? The opening episode of BBC One's latest show packed in enough domestic drama to sustain most series, but found its pressure points in unexpected places.

It was always a question of when. As in when would the hoity-toity Home Secretary and her poker-faced bodyguard move into the horizontal? “I’m not the queen, you know,” she said, by way of a hot come-on. “You can touch me.” As a mode of discourse, this marked quite a step-up from the first episode of Jed Mercurio's new drama. Then the Rt Hon Julia Montague didn’t even want his vote. Now she was after her bodyguard’s body. “I Will Always Love You”, anyone?

If you were looking for the antidote to Love Island, this might be just the job.

How well do you know the person you love? Are they someone completely different when you’re not around? This is the central question Eve Myles (main picture) has to answer in the BBC’s latest mystery drama. Faced with the sudden disappearance of her seemingly lovely husband, she must piece together where he’s gone and what she’s been missing.

How many people were watching Picnic at Hanging Rock as it took its bow on BBC One? This opening episode happened to be preceded by a rival attraction on ITV.