The BBC publicity department doesn’t want reviewers to reveal too much about this three-parter in advance, so the description of its content here may seem skimpy. If you watch this mini-series, you will sort of understand why – its plot relies on coincidences (or are they?) and unexpected twists (or just implausible ones?), flashbacks to past traumas (are these reliable?) and nightmarish scenes (real or imagined?)

After the sensational reinvention of the England cricket team this summer, with their so-called “Bazball” technique, the second-best thing to have happened to the Summer Game is Freddie Flintoff’s new series.

Here, the former dynamic all-rounder and hero of the 2005 Ashes series goes back to his roots in Preston to try to convince the local kids that cricket could be a game for them. The voice-over makes sure to hammer the point home with a sledgehammer: “Cricket is the most elitist sport in Britain.”

Renowned for an impressive body of work that includes This House, Quiz and Brexit: The Uncivil War, playwright and screenwriter James Graham has looked inwards and backwards for his new six-part series Sherwood.

Into the BBC One Sunday slot just vacated by Tommy Shelby of the Peaky Blinders returns Suranne Jones’s Anne Lister, another costume-drama maverick with striking headgear, definite leadership qualities and a way with a pistol. “They’re all a bit scared of you,” her younger sister Marian (Gemma Whelan) tries to explain to her after she has given an insubordinate servant 20 minutes to pack up and leave. “Why?” demands Anne, uncomprehendingly, as she loads her gun.

After two years away, Abi Morgan’s acclaimed legal drama/juicy soap The Split returns for its third series, reuniting us with the closely knit, or, you might say, incestuous, law firm of Noble Hale Defoe.

“I’ve killed so many people. I don’t want to do it any more, any of it.” So said Villanelle (Jodie Comer) to Eve (Sandra Oh) in the last episode of the third series of Killing Eve, soon after she’d pushed Rhian Bevan, an assassin hired by the Twelve, under a train. Yeah, right, you may have thought, yawning cynically.

They say this will be the final series of Peaky Blinders (BBC One) and its documenting of the tumultuous progress of the Shelby family, though creator Steven Knight promises there’s a feature film in the works.

Suddenly bogus-identity stories are all the rage. Netflix has been scoring big with Inventing Anna, the story of fake heiress Anna Delvey, as well as the The Tinder Swindler, a cautionary tale about a high-rolling conman who scams money from women he meets online.

The BBC have billed this as a “four-part thriller about sexual politics in the modern workplace”, which is slightly misleading because it looks as though it’s taking place in about 1983.

“Will they never learn?” people must have been screaming as they watched the opening episode of the 16^th series of The Apprentice – I certainly was. After all these years, the hopefuls vying to take Lord Sugar's £250,000 to invest in their business idea seem blissfully unaware of how daft they look with their strutting boasts. I know it's a competition, but not in how to sound the most foolish.