Five episodes ago, BBC One's The Capture set off at a cracking pace with the apparent abduction and murder of barrister Hannah Roberts by army lance-corporal Shaun Emery.

For his new drama series for BBC One, writer Peter Bowker (The A Word, Monroe etc) has taken as his canvas no less than a panorama of Europe in 1939, just as World War Two is breaking out.

David Cameron has been a recluse since the fateful days of June 2016 when the referendum on EU membership didn’t go quite the way he’d hoped. He’s probably been living through a private purgatory. “I think I will think about this forever,” he murmured to the camera in this first instalment of BBC One’s two-part doc.

Ben Chanan's The Capture (BBC One), which he wrote and directed, is a bang-up-to-the-minute dystopian thriller about the increasingly surveilled society we live in.

This is how Steven Knight pictured Peaky Blinders when he first set about creating it. “I was very keen not to do a traditional British period drama, especially where it comes to depictions of working class people. Where the impulse is to say ‘it’s a shame, it’s a pity, isn’t it awful, wasn’t everything terrible for women’.

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island, in this case Mykanos. It’s not to everyone’s taste. “All I see is water, I don’t see no nail shops,” observes Melissa, whose argumentativeness causes her to fall out with people and who wants to improve her friendship skills.

A sad story of lonely men, Simon Rawles's atmospheric and beautifully shot documentary has no narration, apart from the occasional faint, off-camera question from the interviewer. This makes everything more depressing. We’re alone on a nightmare ride, starting with Catfishman. “I catfish females.

This episode of the celebrity genealogy show began with footage of Naomie Harris at Ian Fleming's former home in Jamaica, where she was helping launch Bond 25 (to be released next year), in which she is playing Moneypenny for the third time. It was a fitting location, as Harris’s folks hail from the Caribbean; her mother was born in Jamaica and her father's family are from Trinidad via Grenada.

It was a year ago that BBC One scored a smash hit with the first series of Keeping Faith, but as series two opens 18 months have passed since Faith Howells’s husband Evan (Bradley Freegard) disappeared and triggered a traumatic chain reaction of events.

It’s a topical idea, at least. Isaac Mensah, a child actor from a working-class family in London, has been cast in a Hollywood sci-fi blockbuster, and when he returns home his family and friends are agog to find out what his amazing movie experience was like. But the sky falls in when Isaac (Max Fincham) plays his parents a video he shot on his phone, containing evidence that he was abused by the film’s all-powerful producer, Jotham Starr, the boss of Yonder Starr Productions.