Television drama is living through a golden age, yes, but one thing mainly absent from the vast choice available on terrestrial and streaming broadcasters alike is the short story. Short dramas used to be a regular fixture on television, when schedules were more fluid and pre-satellite channels less risk-averse. Half an hour in and out to tell a punchy story on a low budget – it was a keen test of a writer’s mettle, and a good way to blood talent.

In the ever-expanding field of broadcast, it’s easy to get lost in the deluge of product raining down from swaggering global providers who sometimes seem to have more money than critical acumen.

Cunningly kept under wraps until the last moment, Sacha Baron Coen’s new show is a timely reminder of his gift for trampling the boundaries of good taste and decorum.

You don’t see a lot of German drama imported to British television. France, Italy, Scandinavia, yes. But the biggest country in Europe is less of a player. The great exception – and it really was great - was Deutschland 83, a thrilling hit when shown on Channel 4.

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that is The Handmaid’s Tale, where “Gilead” means not balm, but torture, terror, misery and misogyny.

In a manner uncannily reminiscent of last year’s Season 6, this latest edition of Homeland spent at least half the series trying to get warmed up for the dash to the tape over the final furlongs.

As if the real world wasn’t scary enough... Ghost stories are en vogue at the moment, and after the BBC’s hit-and-miss Requiem, Channel 4 brings True Horror to the small screen – a collection of "real" ghost stories, told by witness interviews and dramatised with a decent budget. And just like Requiem, our first tale took us to the rolling hills of Wales.

It is with some trepidation that the globe-trotting viewer embarks on a new drama from Spain. Last year in BBC Four stole the best part of 20 hours of some lives with its split-series transmission of the maddening I Know Who You Are.

The mystery remains of why they keep tucking away The Good Fight on More4, as they did with its illustrious predecessor The Good Wife. No disrespect to 4’s ancillary channel – now seemingly the designated last resting place of Grand Designs – but it’s like hanging a sign on the door saying “niche viewing, please knock quietly before entering”.

To Belgium for the latest continental instalment of murder really rather unpleasant. 13 Commandments, yet another crime drama brought to Channel 4 under the auspices of Walter Presents, began with the grizzliest manner imaginable.