What stands between Beirut and the moon? Between Lebanon’s capital and the limitless possibility beyond? It is a question as complex and immense as the nation itself. In the wake of the devastating explosion on 4 August, as well as longstanding government corruption and an unprecedented economic crash, it feels, now more than ever, as though the answer is: everything.

Belgian filmmaking duo the Dardenne Brothers have long been darlings of Cannes Film Festival, winning awards for hardhitting dramas like La Promesse, Le Silence de Lorna and The Kid with the Bike. Their latest offering Young Ahmed is no different, a domestic terrorist tale which won them Best Director at 2019’s festival.

Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who made her life hell. In Blueprint Medea, a new adaptation premiered at the Finborough Theatre in May 2019 and available on YouTube until 2nd August, writer-director Julia Pascal gives us a 21st-century reworking of Euripides’ tragedy. 

Thank goodness no-one’s going anywhere this year, because 7500 does for planes what Jaws did for bright yellow lilos. Set entirely within the cockpit of a passenger jet, this thriller trims all the fat, leaving a taut nightmare that pulls no punches.

Rituals of death call for music: to see the spirits of the dead off on their journey to the other side, to express the grief of those left behind or to celebrate the cycle of life and death. Fra Fra are a quartet from the predominantly Muslim northern part of Ghana - a much drier region than more forested areas of the south.They specialise in music that's performed at traditional funerals

This week’s gem from the Hampstead’s vaults is Howard Brenton’s political drama from 2013, telling the extraordinary, stranger-than-fiction story of Cyril Radcliffe and his 1947 mission: to arrange the Partition of India in just five weeks.

“I forgive you,” he said. “I forgive you… for the bombs.” Spoken by a young Muslim in measured tones that can’t hide his fear, these chilling words recall a random encounter with a stranger. 

The first feature by Copenhagen-born director Ulaa Salim dives boldly into a cauldron of hot-button issues – terrorism, racism, nationalism and fascism. It’s set in 2025, in a Denmark suffering from bomb attacks and violently polarised politics. This climate has spawned the titular Sons of Denmark.

Permission tells the story of Afrooz, the captain of Iran's National Futsal Team, who is stopped from joining her team at the Asia Cup Final because of the last minute whim of her estranged husband.

Jamil Dehlavi is a filmmaker whose work straddles two worlds.