Lil Nas X is good at being a pop star. Like, what could pop culture need more than a young, flamboyant, witty gay rapper from the deep south who can top the US country charts then just when it appeared he might not be able to live up to the success of “Old Town Road” lap dance Satan in the video for the Latin-tinged “Call me by Your Name” and storm to mega sales all over again?

AJ Tracey is one of Brit rap’s aristocracy now. Along with the likes of Stormzy, Dave, J Hus and lately Headie One, he is massively bankable, with streams in the tens of millions for singles, sellout shows in Alexandra Palace, and radio ubiquity.

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. 

Can one use the term autofiction about a film? If so, Mogul Mowgli would be a perfect example. Riz Ahmed, the actor who came to fame with Four Lions, has in recent years appeared in a Star Wars spin-off and a Marvel film; he also raps as Riz MC with the transatlantic duo Swet Shop Boys.

Ten years ago yesterday, on Monday 14^th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today.

It’s over ten years now since theartsdesk cited Tinie Tempah’s success as marking the start of a revolution for post grime black British rappers conquering the pop charts on something approaching their own terms.

Music awards shows are a strange beast: part window display, part industry conference and part party. Especially if you don’t have Brit Awards or Mercury Prize budget to create a whizz-bang spectacle, the ceremonies can be an interminable pileup of attempts to earnestly celebrate both musicians and behind-the-scenes figures, in front of a room full of increasingly drunk and impatient people.

Given the collaborator list on this album, it should be a bit of a mess. Brit punks IDLES, Aussie woozy pop auteur Tame Impala, pumping bassline house producer Chris Lorenzo turning his hand to drum’n’bass, as well as Ms Banks, Dapz On The Map, Oscar #Worldpeace and a host of other UK rap talents all add their distinct musical personalities to the mix.

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021.

Trey Edward Shults’s extraordinary, music-driven third feature, set in a sparkling south Florida, stars a wonderful Kelvin Harrison Jr as 17-year-old Tyler, an African American high-school wrestler with bleached blond hair.