Edinburgh Fringe: The Cave Singers/ The Real MacGuffins/ An Instinct for Kindness

The Seattle sound, sketch comedy with verve, and a suicide drama

The Cave Singers, Cabaret Voltaire ****

A three-piece hailing from Seattle and its environs, The Cave Singers are an authentically hairy proposition. With his tweed hat and red beard, at this Edge festival gig singer Pete Quirk looked like a cross between the late Robin Cook and a stray leprechaun from Finian’s Rainbow, while Derek Fudesco dispensed his lovely, liquid guitar lines from beneath a blur of flying hair.

Edinburgh Fringe: DeAnne Smith/ A Slow Air/ Dregs

A not-so-fey comic, David Harrower's new play, and a sketch duo

DeAnne Smith, Gilded Balloon ****

 

Don’t be fooled by DeAnne Smith’s gamine appearance of boyish clothing and Bieberesque hairstyle. And don’t be fooled either by the way her act begins with a riff on existential angst - prompted by an Australian waiter saying “No worries” when he took her order - which turns into a song (one of a few in the set) accompanied by a ukulele. Don’t be fooled because you’ll realise there’s a lot of much edgier and darker material that she gets away with because she looks and sounds so sweet.

Edinburgh Fringe: Glenn Wool/ Jerry Sadowitz/ Ford and Akram

An Indonesian adventure, a vitriolic magician and a date with Colin Farrell

Glenn Wool, Assembly *****

 

When you watch Glenn Wool, you realise the heights that a talented performer can reach simply by standing on stage and telling stories – not all of them necessarily true - when they are weaved with wonderfully crafted gags and slow-burn pay-offs, with some subtle political humour also in the mix.

When you watch Glenn Wool, you realise the heights that a talented performer can reach simply by standing on stage and telling stories – not all of them necessarily true - when they are weaved with wonderfully crafted gags and slow-burn pay-offs, with some subtle political humour also in the mix.

Edinburgh Fringe: Dana Alexander/ A Sentimental Journey/ Dog-Eared Collective

More from the world's biggest and best arts festival

Dana Alexander, Underbelly ****

After 12 years in the business, Dana Alexander, an ebullient and instantly likeable presence on stage, is still the only black woman on the Canadian comedy circuit. Not that her ethnicity is Alexander's pre-occupation – it most definitely isn't – but it does play a part in her act.

Punt & Dennis, Touring

Plenty of funnies, but blather and repetition from the double act, too

Steve Punt and Hugh Dennis originally came to fame in the late 1980s as one half of the satirical sketch group The Mary Whitehouse Experience, with fellow Cambridge alumni David Baddiel and Rob Newman. Now, though, most people know them (as a double act, at least) as the lead performers in The Now Show on Radio 4.

Come Fly With Me, BBC One

The Little Britain stars take a blunt instrument to the aviation industry

There was always going to come a time when Little Britain had to stop. For a couple of years the heavily milked franchise seemed to be on a tape loop on BBC Three. Its international expansion - to the Greek islands one Christmas, to America for an entire series – suggested that its stars were getting itchy feet. That hankering to grow wings has manifested itself in the form of Come Fly With Me, a spoof docusoap in which Matt Lucas and David Walliams present an entirely new set of grotesques. In last night’s third episode, the gallery was still growing.

Year Out/Year In: Comedy Stands Up to Questions of Taste

A lorra lorra laffs - well mostly

It was a year when comics at opposite ends of the scale - offensive or annoyingly bland - were taking up room on our television screens and selling out ever-larger arena tours. And the depressing rule of thumb (with a few honourable exceptions) that the blander the comic, the bigger the venue, held true in 2010, so thank goodness there were some terrific shows by talented performers in medium-size theatres. As it happens, the most memorable show I saw all year was in a small venue at the Edinburgh Fringe (the American Bo Burnham).

Frankie Boyle's Tramadol Nights/ The Morgana Show, Channel 4

Two new hit-and-miss sketch shows both need time to bed in

Frankie Boyle’s Tramadol Nights is an interesting beast. A mix of stand-up, sketches and cartoons, it’s neither fish nor fowl, but many will certainly find it foul - with the comic’s penchant for sexually explicit material, unPC humour and determinedly bad-taste jokes, it’s bound to upset some viewers. But that’s why Channel 4 poached him from the BBC in the first place and have put his name in the title.

Stephen K Amos's new TV show

Stephen K Amos, who was born in London to immigrant Nigerian parents, always used to joke that he would get a television series only when Lenny Henry died, because commissioning editors were working on a “one out, one in” basis where black comics were concerned. He was joking, of course, and after several years as a successful stand-up and panel-show guest, he debuted on BBC Two with his own show last night.

Edinburgh Fringe: Late Night Gimp Fight!/ While You Lie

Deliriously deviant sketches; and an aimless adult drama

Going to a late-night comedy show at the Fringe is always taking a risk, not least because every drunken fool in the place, with their oh-so-funny heckles, thinks they’re funnier than the performers. And so it proved at the performance I saw of this deliriously funny sketch comedy, performed by five fit young chaps, in which the payoff to one skit involves one of them going buck naked.