In October 1967, John Lee Hooker released a single titled “The Motor City is Burning.” The song commented on the civil unrest which had taken place in his Michigan home city of Detroit that July. “Oh, the motor city's burnin',” sang Hooker. “My home town burnin' down to the ground, Worser than Vietnam, Well, it started on 12th and Clairmont, this mornin'.”

Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.

THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025

Marianne Faithfull Burning Moonlight EP (Decca)

Tenor titan Joe Lovano is thrilled by how Homage has turned out. He actually told me so himself in person a few weeks ago, and his new album has a very appealing, natural, free-flowing ease.

With a sound that's instantly recognisable, Justin Vernon – known as Bon Iver - continues to astonish. Purveyor of wonder, sculptor of enchanting sounds, he treads a miraculous path between melancholy and joy and has established himself as one of the great voice of contemporary indie pop.

Bobby Gillespie and Andrew Innes may have been steering the good ship Primal Scream for some 40 years but, on the evidence of this week’s visit to Birmingham, they are in no way ready to join the heritage circuit – banging out the hits exactly as they were recorded – just yet.

VINYL OF THE MONTH

Rattle Encircle (Upset! The Rhythm)

Langenu are a black metal band. On stage at Estonia’s Tallinn Music Week, they are fearsome. Blood-vessel-burstingly intense. Tempering their force with twists into progressive, psychedelic-adjacent territory, they are a band any rock fan would dig.

Black Country, New Road’s Forever Howlong is an ambitious reinvention that both captivates and, at times, frustrates. Following Isaac Wood’s departure, the band leans into a more collaborative and folk-inspired direction, trading their post-punk chaos for something more delicate and introspective. It’s a bold move, and one that yields some truly beautiful moments, even if the overall experience doesn’t fully resonate.

I can’t hear Joan Armatrading without being instantly transported back to Liverpool, and my student digs just around the corner from Penny Lane. I was a first-year music student, writing essays in the late-night glow of an Anglepoise, my radio-cassette player (boomboxes hadn’t yet been invented) tuned to Radio City. “Love and Affection” and “Down to Zero”, from her magnificent self-titled 1976 LP (no CDs either, and certainly no streaming!) were on the playlist of just about every DJ.

The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of Art Blakey’s Jazz Messengers, the launching-pad for scores of talented young musicians.