London concert life is infinitely varied, especially if you dig below the surface. So after spending Tuesday evening in the lofty Royal Albert Hall, on Wednesday I was 16 metres below ground, in the tunnel shaft of the Brunel Museum in Rotherhithe for a multi-media event celebrating Yuri Gagarin’s flight into space, 62 years ago to the day.

An evening of “scenic orchestral works”, according to the programme booklet, was on offer from the BBC Philharmonic on Saturday. Scenic was certainly true of the Seven Early Songs of Alban Berg and Richard Strauss’s Alpine Symphony. But Tom Coult’s Three Pieces That Disappear was something else.

Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill occasionally, as we dissected figures rather than bodies, ghosts lingering, as they do. 

A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s 1888 masterpiece, Miss Julie. 

It’s been a good year for donkeys at the cinema. Not only did Martin McDonagh make a surprise star out of Jenny the miniature donkey in The Banshees of Inisherin, but she’ll be competing at the Oscars with the title character of EO, Jerzy Skolimowski’s paean to beautiful Sardinian donkeys. The veteran Polish director has crafted a film like no other, weaving together extraordinary images with a devastating score by Pawel Mykietyn.  

Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is good to watch and, I would guess, welcomed by those he directs. Since his time with the BBC Philharmonic as principal guest conductor (2017-2020) he’s been a welcome visitor to them in Manchester and Salford, and this programme pulled a good crowd and was indeed very rewarding.

A film telling just the story of photographer Nan Goldin’s campaign against Purdue Pharmacy would have been worth the ticket price alone.

We’re told from childhood that it’s rude to stare at people, but sometimes it’s hard to extinguish that desire and sitting in a dark cinema can provide the perfect opportunity. If seing Vicky Krieps in Hold Me Tight and Corsage left you craving more screen time with her, More than Ever might just satiate that yen. It’s another chance to allow this fine-featured, body-confident actor to show her emotional range to us watchers in the shadows.

This is not a rehash of my Skinty Fia review, but smoke from the same grate.

The Arts Desk’s movie reviewers voted The Banshees of Inisherin the best film released in the UK in 2022. Here are our choices for the top 10 with the names of their directors:

1. The Banshees of Inisherin (Martin McDonough)

2. Aftersun (Charlotte Wells)