“God isn’t in this class, we’ll leave God outside.” Although teacher Brigitte Cervoni declares that matters of religion are not appropriate for her class of non-French children learning the language of their new country, a lengthy section of School of Babel nonetheless finds them debating Adam and Eve and the differences between faiths. It’s not the only disconnect in director Julie Bertuccelli’s documentary.

Two moments of physical comedy from British sitcoms regularly fill the polls of viewers’ favourites: Basil Fawlty thrashing his broken-down car with a branch, and Del Boy falling sideways through a just-opened pub bar.

Having been put to the fiddle at the age of five, Nicola Benedetti appreciates the value of making music at an early age. She is fiercely committed to music education and developing new talent. So it was a joy to see her playing enthusiastically with 30 primary school children as a pre-concert curtain raiser to the start of Manchester Camerata’s new season.

José Mourinho is Setúbal’s most famous son. Non-Portuguese readers are not expected to know the two other celebrities most feted by this extraordinary port city on the estuary of the River Sado, with miles of sandy beaches opposite where a school of dolphins resides and the lush national park of the Arrábida mountain range just to the west.

The brightly coloured flyer promises all manner of activities. Improvised jam sessions, performance poetry, and philosophy discussions. Oh, and an Indian dance workshop. On an obscenely cold Sunday night I find myself braving not only the cold, but an unprecedented evening of “genre-defying artistic collaboration”, courtesy of English National Opera’s outreach arm – ENO Baylis. I ponder whether I’m really ready to have my inhibitions and preconceptions stripped from me in front of a bunch of earnest strangers. Welcome to Satyagraha Remix.

Various Artists: Classroom Projects

Could you choose between love and knowledge? Between a life of acceptance and affection, and one of self-improvement and learning? These are the questions that Jessica Swale's new play Blue Stockings poses again and again.

Boldly not going anywhere near things like Grange Hill or Teachers, Big School is more like a throwback to the St Trinian's of the 1950s. Co-writer and star David Walliams plays a man known only as Mr Church, Deputy Head of Chemistry at Greybridge School (the nod to Billy Bunter's Greyfriars presumably being the whole point). He's repressed, uptight and sexually inept, and more than a tiny bit reminiscent of Rowan Atkinson playing the title role in Simon Gray's Quartermaine's Terms.

“Without music, life would be a mistake”: Nietzsche. Sadly for many – indeed tragically, Nietzsche would say – music education in the UK has become so inconsistent that now, music barely features in some children’s lives at all. For years, county music services have been tied in to long contracts with services and teachers, some of whom have consistently delivered outstanding musical education, while others are tired and disconnected from the needs of the pupils they are teaching.

Nobody said it was easy being an infant prodigy. Take Hugo, ranked in the top 0.4 percent of the population. He knows everything there is to know about train engines, train stations, rail networks etc, has them committed to his photographic memory. At 10 he is, basically, on some sort of spectrum, and he knows that too. “This is my brother Oscar,” he said. “He’s a more normal child.”