Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistry

EDINBURGH FESTIVAL 2018: ZIMMERMAN, LSO, RATTLE Fizzing chemistry

Bernstein, Dvořák and Janáček made for an odd if ultimately majestic concert

It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for what was in fact quite an odd, uncompromising programme – if one that ultimately delivered magnificently.

Blu-ray: Mishima - A Life in Four Chapters

★★★★★ MISHIMA Paul Schrader's masterpiece on DVD: a life lived as a work of art

Paul Schrader's masterpiece: a life lived as a work of art

So much of Japan can be lost in translation, and yet the West is fascinated by a culture that articulates the possibilities of belief and being in such a different mode than our own.

Annie Ernaux: The Years, review - time’s flow

★★★★★ ANNIE ERNAUX: THE YEARS Magisterial and unconventional account of 1941-2006

Magisterial and unconventional account of 1941 - 2006 from France’s premiere memoirist

“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The students are mostly girls between fifteen and sixteen and they wear make-up, jewellery, low-cut tops  we understand they’re sexy, confident, cool. Several are African, North African, Caribbean.

Classical CDs Weekly: Louis Couperin, Pärt, Bruce Levingston

CLASSICAL CDS WEEKLY Louis Couperin, Pärt, Bruce Levingston

The lesser-known Couperin revealed, early and late Arvo Pärt, plus piano music refracted through church windows

 

Louis CouperinLouis Couperin: Dances from the Bauyn Manuscript Pavel Kolesnikov (Hyperion)

Box office poison? Joan Crawford at BFI Southbank

JOAN CRAWFORD AT BFI SOUTHBANK Fierce, she most certainly was, but how about funny?

Joan's back! Fierce, she most certainly was, but how about funny?

What’s that? Joan Crawford had no sense of humour? Well, take a look at It's A Great Feeling. It’s a pretty bizarre (and pretty bad) 1949 musical with Jack Carson and Dennis Morgan playing themselves running round the Warner Brothers lot attempting to make a picture.

The Lehman Trilogy, National Theatre review - an acting tour de force

★★★★ THE LEHMAN TRILOGY, NATIONAL THEATRE A newly-minimalist Sam Mendes guides an expert cast to sublime heights

A newly-minimalist Sam Mendes guides an expert cast to sublime heights

There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established director surprises his audience and, in the process, surpasses himself. The talent in question is Sam Mendes, who a quarter-century or more into his career has never delivered up the kind of sustained, smart, ceaselessly inventive minimalism on view here.

DVD: New Town Utopia

★★★★ DVD: NEW TOWN UTOPIA Off-beat celebration of post-war British town planning

Off-beat celebration of post-war British town planning

You come to Christopher Ian Smith’s New Town Utopia expecting a damning indictment of post-war British planning. But while there are melancholy moments, this is mostly an upbeat documentary. Smith manages, without the use of CGI, to make the much-maligned Essex new town of Basildon look uncommonly attractive. The spiritual home of Essex man, this solidly Conservative town isn’t what you’d expect.

Pelléas et Mélisande, Glyndebourne review - frigid metatheatre

★★★ PELLÉAS ET MÉLISANDE, GLYNDEBOURNE Patches of light from Robin Ticciati's conducting on Stefan Herheim's messy canvas

Patches of light from Robin Ticciati's conducting on Stefan Herheim's messy canvas

Pierre Boulez simply crystallised the obvious when he described Debussy's unique masterpiece as "theatre of cruelty," despite its enigmatic beginnings. Richard Jones, when I asked him to talk about its plot, declared "it's about two men who love the same woman, with disastrous results". Productions by Jones, Peter Stein with Boulez conducting and Vick at Glyndebourne have all had us shaking with fear and weeping with pity.