William Dalrymple wrote his highly acclaimed bestseller In Xanadu, an account of his journey to the ruins of Kubla Khan's stately pleasure dome, when he was 22. In 1989 he moved to Delhi where he lived for six years researching and writing his second book, City of Djinns (1993), which won the 1994 Thomas Cook Travel Book of the Year Award. Since then he has published five further books, all of which have won major prizes.

Born in Russia in 1972, the London Philharmonic Orchestra's principal conductor has galvanised the capital's music scene with some of the most thoughtful, groundbreaking and carefully prepared concert programmes today. His operatic credentials at Glyndebourne have been no less impressive, with attention to the right individual style in Verdi, Wagner, Rossini, Tchaikovsky and Mozart, among others.

Pauline Black, the lead singer of 2-Tone band The Selecter, was born in 1953 to an Anglo-Jewish mother and Nigerian father and was adopted as a baby by a white working-class couple from Essex, who refused to acknowledge she was black. However, by adolescence she was determined to define herself as society saw her and changed her surname to Black by deed poll when she was in her twenties.

Composer and music producer Nitin Sawhney (b 1964) is known for his variety of musical projects, reflecting his background fusing Indian and British heritage. He has written music for films, television, dance productions, studio albums and concert performance, and is increasingly developing the possibilities of video games.

The career of acclaimed tenor Ian Bostridge (b 1964) has taken a somewhat unusual trajectory. He was reading for a PhD on witchcraft at Corpus Christi College, Oxford before he decided to turn his hobby of singing into his profession, despite not having any formal musical training – he has admitted that he probably picked up several bad habits singing along to records of German baritone Dietrich Fischer-Dieskau.

Louise Wener rose to prominence as part of the Britpop movement in the mid-Nineties. While Blur and Oasis flew the flag for laddism and Suede flirted with camp glam, Wener was one of the scene’s few high-profile women, inspired by David Bowie, Morrissey and Debbie Harry. Her band Sleeper released eight Top 40 singles, most memorably “Inbetweener”, and three hit albums. They supported Blur and toured America and Japan, but Wener became disillusioned with the sexism and machinations of the music industry, where it was often assumed she was the token woman in the band rather than the co-songwriter. Sleeper split up in 1998 and Wener started to write fiction, publishing four novels. In 2010 she published her colourful account of her journey from suburbia to stardom, Different for Girls. It was recently published in paperback under the title Just for One Day: Adventures in Britpop.

Alfred Uhry, now 74, may boast the greatest ratio of accolades to output of just about any American playwright, having copped two Tony Awards and a Pulitzer Prize across merely a handful of works and an Academy Award for the film version of his best-known play, Driving Miss Daisy; the movie itself won the Best Picture Oscar in 1989 and a further trophy for its beloved star, Jessica Tandy. This autumn, the era-spanning comedy-drama arrives back on the West End in the same starry version, headlined by Vanessa Redgrave and James Earl Jones, seen last year on Broadway. Immediately before that begins, the Uhry/Jason Robert Brown musical Parade - first seen locally four years ago at the Donmar - will have ended a revival of its own at the Southwark Playhouse. Call Uhry clearly the man for this London theatre season.

Third in line to share their summer reading selection with theartsdesk is Colin Currie (b 1976), the leading percussionist of his generation. A driving force behind new percussion repertoire for more than a decade, in 2000 Currie was awarded the Royal Philharmonic Society Young Artist Award for his inspirational role in contemporary music and is in the unique position of being the only instrumentalist to enjoy close collaborative relationships with many of the leading composers of today, notably Rautavaara, Steve Reich and Elliott Carter. 

This warm-hearted production of E Nesbit’s most famous novel premiered to glowing reviews at its site-specific venue last summer.

Next in theartsdesk’s series of recommended summer reads is musician Gary Kemp, guitarist with Spandau Ballet, five working-class boys from north London who emerged from a surfeit of floppy fringes and pantaloons to become one of the most successful pop acts of the swaggering, vainglorious Eighties. Kemp wrote 23 singles for the band including massive hits such as "Gold", "True" and "Only When You Leave", which still crop up repeatedly on TV and film tracks.