Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

★★★ FRANCIS BACON: MAN AND BEAST, ROYAL ACADEMY From raw emotion to elegant displays of self loathing

From raw emotion to elegant displays of self loathing

Francis Bacon Man and Beast fills most of the main galleries at the Royal Academy. Thankfully, five of the rooms are empty. The exhibition is such a dispiriting experience, I’d have been hollering like a howler monkey if there’d been any more. And as it was, I came out feeling emotionally numb.

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

★★★★ EILEEN AGAR, WHITECHAPEL GALLERY First retrospective for important female surrealist

An important female surrealist gets her first retrospective

Eileen Agar was the only woman included in the International Surrealist Exhibition of 1936, which introduced London to artists like Salvador Dali and Max Ernst. The Surrealists were exploring the creative potential of chance, chaos and the irrational which they saw as the feminine principle, yet they didn’t welcome women artists into their group.

William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

★★★ WILLIAM FEAVER: THE LIVES OF LUCIAN FREUD: FAME 1968-2011 Second volume in Feaver’s voluble biography puts anecdote above analysis

Second volume in Feaver’s voluble biography puts anecdote above analysis

This is a biography like no other, more or less dictated by Lucian Freud. William Feaver spoke with the artist perhaps almost daily for nearly 40 years, visiting frequently, taking notes, recording, and being shown work in progress.

My Rembrandt review - hard cash and hubris

★★★★ MY REMBRANDT Hard cash and hubris in the art world

Characters historical and contemporary mingle in an entertaining portrait of the art world

In the gloomy splendour of Drumlanrig Castle in Dumfriesshire, the 10th Duke of Buccleuch gazes up at Rembrandt’s Old Woman Reading, 1655. The painting has belonged to the Scott family for more than 250 years, and like generations before him, the duke has known it all his life. “She is the most powerful presence in this house.” He pauses: “Do you see what I mean?”

The Best Exhibitions in London

THE BEST EXHIBITIONS IN LONDON Get your eye in with our recommendations

The best exhibitions on now

 

Picasso and Paper, Royal Academy ★★★ A fascinating subject that proves too unwieldy for a single exhibition. Until 13 Apr

 

Gauguin Portraits, National Gallery review - me, myself and I

★★★ GAUGUIN PORTRAITS, NATIONAL GALLERY The French artist didn't revolutionise portraiture, he was too interested in himself

The French artist didn't revolutionise portraiture, he was too interested in himself

“Gauguin was undoubtedly self-obsessed” begins the National Gallery’s latest dead cert blockbuster, as it cheerfully hijacks a de facto series begun next door at the National Portrait Gallery.

'That brick red frock with flowers everywhere': painting Katherine Mansfield

'THAT BRICK RED FROCK WITH FLOWERS EVERYWHERE' How Anne Estelle Rice painted Katherine Mansfield 100 years ago

Anne Estelle Rice painted the New Zealand writer 100 years ago, spinning a tale of love, friendship and artistic kinship

The well-known portrait of New Zealand’s greatest writer, Katherine Mansfield, is exactly 100 years old on 17 June 2018 (main picture). It was painted by the American artist Anne Estelle Rice.

David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

★★★★ DAVID SHRIGLEY/BRETT GOODROAD, BRIGHTON FESTIVAL Democrating the artistic process

An exhibition and an event that both seem keen to democratise the artistic process

In his 1991 novel Mao II, Don DeLillo called the literary medium “a democratic shout”. His oft-quoted claim is that any man or woman on the street could strike it lucky, find their voice, and write a great book. Not only does everyone carry round a novel, but those novels are potentially brilliant. Well, it’s not a Pulitzer nomination but in Brighton right now, any ordinary Joe can walk in off the street and find their art put on the wall at the city’s foremost gallery.