Camille Silvy: Photographer of Modern Life, 1834-1910, National Portrait Gallery

Portrait photographer to Victorian society has his first exhibition in a century

Camille Silvy may be the least recognised of all the great photographic innovators of the 19th century. After a decade of almost ceaseless technical innovation, and astonishing output as the society portrait-photographer of the 1860s, he abruptly closed his London studio, aged only 34, returned to France, and, after a brief stint in the garde mobile in the Franco-Prussian War, spent much of the rest of his life in and out of asylums.

Alice Neel: Painted Truths, Whitechapel Gallery

Neel wanted to get under the skin of her sitters. Her unflinching gaze served her well

What a troubled life Alice Neel led. The death of her first child, a daughter, who died of diphtheria in 1928  just before her first birthday; another daughter lost to her estranged husband’s family in Cuba two years later (as an adult and a mother herself, the daughter, Isabetta, committed suicide); life as a single mother raising two later sons on welfare in the slum district of New York's Spanish Harlem; and a neglected but always diligent artist for much of the rest of it, only achieving fame and acclaim towards the end.

BP Portrait Award 2010, National Portrait Gallery

What are portraits for? You might find the answer right here

Last month, the National Portrait Gallery unveiled a huge, new portrait of Anna Wintour. Painted by Alex Katz, the celebrated New York Pop portraitist, American Vogue’s scary editor-in-chief is shown with famous helmet bob intact, but minus her trademark dark glasses. The picture depicts Wintour, whose icy blue stare could run a chill through you (she's known as Nuclear Wintour), against a sunny yellow backdrop –  which looks like an attempt to raise the temperature of that icicle glare. You pass it as you enter this year’s BP Portrait Award.

The Stones in Exile: an Imagine Special, BBC One

Evocative documentary about the 'greatest rock'n'roll band in the world'

Aptly, this new documentary about how the Rolling Stones fled from England to the South of France to record Exile on Main Street was premiered at the Cannes Film Festival, with a supernaturally healthy-looking Mick Jagger on hand to give it a promotional shove. Jagger (along with Keith Richards and Charlie Watts) produced the film, working closely alongside director Stephen Kijak to knit together an evocative and emotional portrait of "the greatest rock'n'roll band in the world", at what many would argue was their peak.

Fashion pop ups in unlikely places

Browns is in this season (and every season past)

While wandering back from a meeting with a hedgie on Haymarket, I noticed a banner emblazoned with the logo of Browns, clothes shop to the well heeled (to mix metaphors), above the entrance to what appeared to be a building site. It was indeed a building site, off Marshall St, near Carnaby St, but two floors of the new apartment block there have been taken over by a pop-up exhibition to celebrate 40 years of Browns.

Bridget Riley: From Life, National Portrait Gallery

But can she draw? Sketches from the artist before she was famous

Forget about art “being about the idea” for a moment. Drawing from life is still considered by many to be the litmus test for proper artistic skill, or at least the foundation from which great art can arise. And so the enquiry, “But can he really draw?” is still one contemporary artists are confronted with by those not shy of asking what they consider an obvious question. And it has plagued abstract and modernist artists throughout the 20th century: the ability to draw figuratively as tradition dictates is so often seen as a benchmark from which everything else can be measured.