Water surged through this Prom from first spray to last drop. But there was nothing damp or diluted about Edward Gardner’s helmsmanship as he steered the London Philharmonic Orchestra through a succession of liquid rhapsodies: three from the early 20th century; one from 1993.

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and perfectly formed hall bristling with “state-of-the-art” acoustics and digital facilities. On a balmy midsummer’s evening, the pianist and composer Rieko Makita invited us to reflect on the different moods and aspects of the night, in a programme that combined music with digital art projections.

Michel Béroff: Complete Erato Recordings (Erato)

Quartets Through a Time of Change: music by Ravel, Durey, Tailleferre and Milhaud Brother Tree Sound (First Hand Records)

Beethoven: Diabelli Variations, Debussy: Préludes George Lepauw (piano) (Orchid Classics)

Bloch: Schelomo, Bruch: Kol Nidrei, Dohnányi: Konzertstück Tim Posner (cello), Berner Symphonieorchester/Katharina Müllner (Claves)

While it is an incontrovertibly good thing that the classical music world has set about rediscovering the work of neglected female composers, not all rediscoveries are equally worthy of being found. Particularly on a day like International Women’s Day (IWD), concert programmers run the risk of unearthing work that tends towards the mediocre, and which can end up being tokenistic.

Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal conductor designate, Kahchun Wong.

LICHT: 800 Years of German Lieder Anna Lucia Richter (mezzo-soprano), Ammiel Bushakevitz (hurdy gurdy, harpsichord, clavichord, fortepiano, piano) (SWR2/Challenge Classics)

Debussy: Piano Works Volume 2 Dennis Lee (piano) (ICSM Records)