Glorious Joan is back! Eleven years after her first covers album, with that very cheeky artwork, comes Joan Wasser’s celebration of "songs I adore" – 10 tunes that she’s been working on ever since 2009.
He's only in his mid-20s, but this is Seattle singer-songwriter Damien Jurado’s 15th album. Veering away from a predictable path, his career is dotted with sonic experimentalism alongside a tendency to try abstract lyrical forms. He also appears on one of the most beautiful songs of this century, Moby’s haunted chorale, “Almost Home”.
John Prine, who has died at the age of 73 from a Covid 19-related illness, was one of the great American folk poets. Having spent his early adulthood pounding the sidewalks as a mailman in Chicago, he never quite shucked that blue-collar aura of the working man's minstrel.
The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused branding. From international megastars (Billie Eilish, Mac DeMarco) to up-and-comers, singers and occasionally rappers are filmed alone in a simple cube-shaped stage with distinctive colour-cycling lighting.
Since she burst onto the global scene in 2014 with her debut album, Chaleur humaine, Christine and the Queens' (aka Chris, real name Héloïse Letissier) work has been difficult to pin down. Is the French pansexual singer-songwriter-performance artist's music synth-pop, alt-pop or, as she describes it, “freakpop”?
Waxahatchee’s fifth album wasn’t intended as an escapist fantasy. Written shortly after Katie Crutchfield decided to get sober, Saint Cloud documents a journey towards self-acceptance; one woman’s reckoning with her past and its impact on the people she loves.
The best place to start with Morrissey's new LP is the title track, which begins as a petty dig at the media: "I do not read newspapers/ they are troublemakers", the singer croons indignantly. But then, as the music builds and his anger mounts, Moz loosens up and his emotions flood out.
Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and passion. The voice isn’t quite what it was, off-pitch at times, though it retains its distinctive timbre and vibrato.
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He’s listening to “Shout,” the band’s 1984 Billboard No. 1 hit.
In its seventeenth incarnation, Transatlantic Sessions - a concert comprising music from some of the finest names in Scottish, Irish and American folk - had its penultimate night of its UK tour in a packed-out Symphony Hall, Birmingham on Friday evening. At first it might feel like an overly large venue for a group of around fifteen musicians.