Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy Ridley stars as the iconic maiden raising above the petty squabbles of flawed men.

This new Eureka! boxset of 4K and 2K restorations provides ample evidence as to why Samuel Fuller was venerated by such a wide range of film-makers, including Godard, Wenders, Scorsese and Tarantino. 

My Mother Laughs was first published in Chantal Ackerman’s native French in 2013. This year it has been translated into English for the first time, twice. Silver Press’ elegant version is framed by a foreword by the poet, Eileen Myles (who also has a poem on the back flyleaf) and an afterword by the academic, Frances Morgan. These women’s voices are sympathetic, and naturally turn the book as a whole into a kind of conversation.

Fred Schepisi’s The Chant of Jimmie Blacksmith (1978) was the Australian New Wave film that most rigorously confronted the cataclysmic effect of British and Irish colonisation on the country’s Aboriginal people.

Chinese director Jia Zhangke has made a masterful career from following the changes that his native land has undergone in the 21st century, catching the speed of its transition from old ideological order to the relentless dynamism of subsequent economic development – and, most importantly, the human consequences of the process.

French director Agnès Varda looks back over a cinematic career of seven decades in this a richly moving film farewell, finished not long before her death at the end of March, aged 90.

The excellent booklet essay by Michael Brooke that accompanies this Second Run release of Pavel Juráček’s second, and final feature (it’s presented in a fine 4K restoration) tells us much about the director’s importance for the Czech New Wave, that remarkable period of independ

Mirai made animation history when it was included in the Director's Fortnight at Cannes in 2018, the first Japanese anime feature to be so honoured. It went on to be nominated for an Oscar.

The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed.

Anyone who saw Félix Maritaud playing the angry activist Max in Robin Campillo’s Paris ACT UP drama 120 BPM will certainly remember him (main picture).