Ahir Shah, West End Centre, Aldershot review - a millennial's existential angst

★★★ ALI SHAH, ALDERSHOT A millennial's existential angst

Religion, politics - and vaping

Ahir Shah has delivered some very good comedy by performing as a man who knows he is right about everything – that's what a political degree from Cambridge can do for you. But now the comic, rightly lauded for his previous polemicist shows with two Edinburgh Comedy Awards nominations, is casting around for something other than old ideological certainties to believe in.

Simon Brodkin, The Stables, Milton Keynes review - comics casts off his Lee Nelson character

★★★ SIMON BRODKIN, THE STABLES, MILTON KEYNES Comic casts off his Lee Nelson characters

His debut first person show

Simon Brodkin is best known for his cheeky Cockney wideboy character Lee Nelson, and for pranking the famous – notably handing Theresa May her P45 at the Conservative Party conference in 2017, throwing Nazi-themed balls at Donald Trump when he visited his Scottish golf course in 2016, and, in 2015, storming Kanye West's Glastonbury set and showering then Fifa president Sepp Blatter with banknotes. But now in 100% Simon Brodkin, he is touring as himself for the first time.

Alexei Sayle, Oxford Playhouse review - return of the political bruiser

★★★★ ALEXEI SAYLE, OXFORD PLAYHOUSE Return of the political bruiser

A lot to get off his chest after seven years away

It has been seven years since Alexei Sayle last toured, with radio shows and books detaining him elsewhere, but he's back with a bang. As he walks on stage, he immediately starts railing about the “Eton boys running the country”; instead of hailing the school for having produced 20 prime ministers, “it should be in special fucking measures.” Oh, we've missed him.

Jen Brister, Soho Theatre review - parenting, privilege and porn under scrutiny

Domestic anecdotes and political insights

Jen Brister loves her five-year-old twin boys, she is at pains to tell us, even when they have a major meltdown and, like Little Lord Fauntleroys, refuse to eat broken biscuits. Stories like these are sprinkled throughout her new show, Under Privilege, in which she describes trying to instil proper values in children who, she hopes, will probably never know any life struggles, and the broader issue of what privilege is.

David Baddiel, RST, Stratford-upon-Avon review - taking on the trolls

★★★★ DAVID BADDIEL, RST, STRATFORD Taking on the trolls

Twitter laid bare

David Baddiel is a keen Twitter user, commenting on matters of the day, making witty observations about this and that, or simply chatting to his 650,000 followers. But he does seem to attract trolls, whose idiocy he frequently confronts – and his new show, Trolls: Not the Dolls, was inspired by some of those interactions.

Jayde Adams, Soho Theatre review - witty celebrity takedown

★★★★ JAYDE ADAMS, SOHO THEATRE Witty celebrity takedown

Bristolian examines fourth-wave feminism in the Instagram age

No more glitzy and glam musical shows for Jayde Adams, the comic tells us at the top of the hour. Now, after a few years in the business, she wants to be taken seriously (or seriously enough to host Crazy Delicious on Channel 4), so the sequinned Spandex has gone into storage – “no more camel toes” – and she's popped on jeans and a black turtleneck. 

Matt Forde, Soho Theatre review - Brexit and beyond

★★★★ MATT FORDE, SOHO THEATRE Brexit and beyond

Cogent political analysis

Matt Forde sets out his stall in Brexit: Pursued by a Bear from the first line: “We meet in diabolical circumstances.” These aren't good times, he says, with two major leaders in the Western world whose relationship with the truth is merely that of passing acquaintance. Add in the UK's continuing divisions over Brexit, and diabolical seems apt.

Flo & Joan, Soho Theatre review - entertaining wit and whimsy

★★★★ FLO & JOAN, SOHO THEATRE Entertaining wit and whimsy

Musical duo say Bros 'inspired' the show

Musical comedy siblings Nicola and Rosie Dempsey (Flo and Joan were their grandmother and great-aunt's names) get along very well – even being mistaken for lovers by one Paris hotel who gave them a double bed – and certainly their chat between songs, where they politely interrupt each other and finish each other's sentences, is testimony to that.

Frank Skinner, Garrick Theatre review - a masterclass in owning the room

Pleasing mix of personal and professional anecdotes

When Frank Skinner did a London run of new material last year, the show was billed as a taster of a longer touring version. I wrote then that the show whetted my appetite for more, and I'm glad to say that the updated version, Showbiz, which now has a West End residency, has delivered.