2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after Alexandra Auder’s Don’t Call Home, Richard Dorment’s Warhol After Warhol.
It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor celebrities – will always have its draw. The Factory was the Pop Artist’s studio workspace, established in various locations over its 24-year life-span.
Who was Walter Sickert and what made him tick? The best way to address the question is to make a beeline for the final room of his Tate Britain retrospective. It’s hung with an impressive array of his last and most colourful paintings.
Todd Haynes’ documentary about the Velvet Underground has to be one of the better uses of time by a film-maker during the Covid pandemic. He spent lockdown putting the film together with a team of archivists and editors working remotely. It’s a beautifully shot and ingeniously collaged portrait of the decadent New York band which weaves together an extraordinary wealth of archive footage and some choice and apposite interviews.
There’s a building site outside the Towner Art Gallery and a cement mixer seems to have strayed over the threshold into the foyer. This specimen (pictured below right) no longer produces cement, though. David Batchelor has transformed it into an absurdist neon sign by outlining it with fluorescent tubes.
Yesterday the record for the most expensive painting ever sold was broken. At Christie's in New York Leonardo da Vinci's Salvator Mundi the hammer was knocked down on a price of $450 million. It's a lot of money, period, and even more for a painting which some doubt is by Leonardo at all. One doubter insists that Leonardo the great scientist would have refracted the light through the orb in Christ's hands. That won't bother the buyer, whose identity is unknown.
Salvator Mundi soars to the top of the list of the 75 most expensive paintings sold in the last 30 years. The recent Leonardo discovery was already on the list at no 19, having sold for $131.1 million in 2012. It now soars high above Willem De Kooning's Interchange ($300 million, sold 2015). Salvator Mundi is also the earliest work in the list. The newest is Jean-Michel Basquiat's Untitled, painted in 1982 ($110.5 million, 2017).
This list is based on prices at current values calculated by Wikipedia. It strays back three decades to the purchase of two Van Goghs. The big market surge came in 1989 when the record for an old master – Pontormo's Portrait of a Halberdier – was sold to the Getty Museum for what is now $68 million. The 1990s was a fallow decade in which only two painters could command high prices: Van Gogh (four entries) and Picasso (two). In 2006 the market suddenly rose for post-war work by De Kooning, Johns and Pollock. That year three paintings were sold for the equivalent of more than $160 million.
While paintings continued to go for eye-watering sums, the record held until 2011 when Cézanne’s The Card Players was sold for $259 million. The market has been at its most obscenely inflated in recent years. Seven of the top 75 sales happened in 2012, five in 2013, six in 2014, nine in 2015, five in 2016, and two this year (the other entry for 2017 is Roy Lichtenstein's Masterpiece.) The overwhelming majority of these works ended up in private hands.
The artists with the most entries hold few surprises. Picasso: 13. Van Gogh: eight. Warhol: seven. Rothko: six. De Kooning: four. Cézanne, Modigliani, Titian, Bacon: three. Johns, Monet, Lichtenstein, Klimt, Pollock, Newman: two.
Below is the list of the top, while the gallery overleaf shows some of the top 75, leading towards the most expensive in history.
Overleaf: browse a gallery of the world's most expensive paintings
Dream or nightmare? Bay of Pigs, assassinations, Vietnam, space race, Cold War, civil rights, AIDS, legalised abortions, same-sex marriage, ups, downs and inside outs. From JFK to The Donald in just under 60 years, as seen in 200 prints in all kinds of techniques and sizes by several score American artists (although, shush, a handful are – shock, horror – immigrants).
The timing of Gavin Turk’s retrospective couldn’t be better. Last November Joe Corre, son of punk icons Malcolm McLaren and Vivienne Westwood, burned his collection of punk memorabilia in protest at the way the 40th anniversary of punk had become an excuse to institutionalise the movement and transform its anarchic spirit into a marketing opportunity.
Call it re-analogification, de-digitisation or perhaps just plain reverse-engineering, Icebreaker’s set at Milton Court was all about reclaiming the electronic for hoary-handed instrumentalists. Their skills are well-honed: from Anna Meredith to Steve Martland to Kraftwerk, with an inspired side-order of Scott Walker, they conjured propulsive rhythmic lines and saturated layers of harmony from inauspicious sources – pan-pipes, soprano sax, a single cello, bass drum.
Arena is the longest-running arts documentary programme for television at the BBC, and perhaps the world: as the BBC itself phrases it, this compendium celebration presented 24 hours in 90 minutes for 40 years, marking the show's latest anniversary. Conceived by the ever-creative and energetic Humphrey Burton all that while ago, Arena has made over 600 films, looking at high and low culture with equal curiosity, alacrity and even audacity.