One of the most interesting tracks on Essiebons Special 1973–1984 Ghana Music Power House is Joe Meah’s mysterious "Dee Mmaa Pe". It’s not mentioned in the compilation’s accompanying booklet, and Joe Meah doesn’t figure in any of the standard discographies littering the world-wide web.

Amid the spume of insults at the close of the song “The Great Rock’n’Roll Swindle” by Malcolm McLaren’s Rotten-less, end-game version of the Sex Pistols, Rod Stewart is a prime target. Sandwiched between abuse for David Bowie and Elton John, Rod is accused of having “a luggage label tied to his tonsils”. It’s hardly a cutting verbal blow but the point is he’s amongst those the Pistols were supposedly rendering irrelevant. Over four decades later, though, his musical output remains relatively prolific and his albums massive hits. This new one will be.

The Sun Shines Here - The Roots Of Indie-Pop 1980-1984 is three-CD set in a clamshell box with 74 tracks. The opener is “Better Scream”, January 1980’s debut single from Wah Heat! The closing track was issued in November 1984: The Jesus And Mary Chain’s first single “Upside Down”. In between: Mo-Dettes, The Monochrome Set, Microdisney and Marine Girls.

Along with Tangerine Dream and Jean-Michel Jarre, Vangelis is a key figure in the development of - to be loosely colloquial about it – trance and chill-out electronica. His 1970s work was proggy trip music, laced with classical aspirations that later came into their own. Artists from Sven Väth to Air to Enigma owe him a debt, as do those involved in the current boom in soothing electro-classical sounds.

When The Specials returned with their chart-topping 2019 album Encore, it was a wonderful surprise. As well as being their first in nearly four decades (excluding material by alternately named intermediary incarnations), it proved they were more than an endlessly touring heritage night out for ageing rude boys. Critics of their reappearance on the tour circuit claimed they were washed up without the band’s original driving force, Jerry Dammers.

There’s a lot of going back to the future in theatres just now - shows (like this one) postponed by 18 months or so and delayed still further by co-star Roger Bart being indisposed on press night are bringing the bright lights back to the West End.

Incredibly it’s now 40 years since the release of Duran Duran’s debut album. To mark this event, the remaining members of the band’s classic line-up decided to return to Birmingham. Not to the NIA or any similar-sized venue, but for a couple of intimate gigs at the city’s O2 Institute.

Following the death last year from COVID-19 of keyboard player Dave Greenfield, it appears the The Stranglers’ five decade journey may finally be drawing to a close. They bucked all odds by maintaining a path after singer Hugh Cornwall left in 1990, and the last two decades, especially, have seen them hold steady, both as a live draw and with critically respected albums.

The Nest is a peculiar animal, hard to nail down, parts family drama and social satire, but with a creepy sense of suspense rippling under the surface that threatens to bust the plot wide open. 

Toyah, always a one-off, has been a surprise star of the COVID-19 lockdowns. Her YouTube Sunday Lunches, kitchen-filmed cover versions with her husband, King Crimson’s Robert Fripp, have been celebratory shared moments, jaunty, unlikely, silly, revelling unashamedly in pop music (and, bawdily, in her own physical attributes!).