Taking place at the Theatre Royal, Andy Hamilton’s show is entitled An Evening with… rather than a straight stand-up and mainly consists of the comedy writer/performer and gameshow regular answering audience questions. During the first half this is done via raising a hand and shouting out questions; during the second half by leaving pieces of paper on the stage front during the interval.

Due to exciting matters beyond theartsdesk on Vinyl’s control there’s been a slight delay to this month’s edition but, never fear, to ensure we cover all that’s juicy, we’re doing a special two-volume version, with Part 2 coming next week. Watch this space.

Whitesnake were always the most absurdly priapic of the successful Eighties heavy rockers. It was therefore with some glee that this writer approached their 13th studio album. In the snowflake age, where offence is taken at the slightest politically incorrect infraction, these hoary oldsters would surely be a ball.

“I take it the safety test was a failure,” remarked Viktor Bryukhanov, director of Ukraine’s Chernobyl nuclear power station. You could say that again. The catastrophic explosions at the Vladimir I Lenin plant on 26 April 1986, caused by a safety test that went wrong, produced history’s worst nuclear disaster, releasing radioactivity into the air equivalent to two Hiroshima-sized nuclear bombs per hour. There were fears that human casualties could run into millions.

Deft and funny and nicely cast, what's not to like about Other People's Money, the era-defining Jerry Sterner play in revival at Southwark Playhouse? The play's 1989 premiere Off Broadway allowed for a contemporary skewering of the roaring, rapacious, uncaring 1980s.

Back in the early Eighties, Test Dept were the most radical musical force in London. Their live sound, never truly captured in its intensity on a series of early cassette recordings, built out of tape cut-ups and pulverising rhythms on salvaged metal objects, could be awe-inspiring. Long before illegal rave culture, their performances felt subversive in a way that attracted surveillance.

Pet Shop Boys are never shy of producing stylishly conceived fan mementos. Coming not long after Faber & Faber’s hardback collection of Neil Tennant’s lyrics, this four-disc set is just such a slice of lovingly rendered memorabilia. After well over three decades in the game – but one since they had a Top 20 hit song – the duo retain a devoted following, ever eager to invest in whatever they’re up to.

Torso Hell tells the story of an American soldier whose limbs were blown off in Vietnam. Amazingly, he and his buddies survived, and in the ensuing medical chaos his arms and legs were re-attached to them rather than him. The narrator says “At the hospital, it’s so crazy and confused that when these guys come in, the doctors and nurses don’t know what from what … they just start sewing. The main guy stays a torso, but they put his arms and legs back on the other guys.

Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member Siobhan Fahey left in 1988 to form Shakespears Sister. The trio reunited in 2017 for a tour but new album, In Stereo, sees them back as the long-standing duo. The pair have been friends since their school days.

And then there were two... again. Following on from the Original Line-Up tour, Bananarama are back to the core duo of Sara Dallin and Keren Woodward for their first album in 10 years. If it is true that co-founding member Siobhan Fahey’s 1988 departure was due, in part, to the pop chops of 1987’s Stock Aitken and Waterman-produced Wow!, it might be just as well that she didn’t stick around this time. In Stereo is VERY pop.