The Damned could have been bigger contenders. As anyone who’s seen Wes Orshoski’s feature film biog, Don’t You Wish We Were Dead, will know, their career has been blighted by chaos, line-up changes, catastrophic business decisions and just plain bad luck. What they have never been short of is songs. From “Smash It Up” to “New Rose” to “Stranger on the Town”, their golden years were littered with corkers.

Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?

THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023

Suicide A Way of Life Rareties (BMG)

Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became.

To music-lovers of the era, The Selecter are known as part of the 2-Tone ska explosion which blew up as the 1970s turned into the 1980s. The Selecter were right in the middle of that, their eponymous song on the B-side of The Specials’ debut single “Gangsters”, and their own singles, notably “On My Radio” and “Three Minute Hero”, there right at the start. What will be more surprising to most is that they’ve been almost consistently producing music since. This is their 16^{th studio} album.

An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “Summer Fun” being sampled by Daphni. Both funk-soul albums – the first credited to McNeal and Niles, the second to Wilbur Niles and Thrust – were barely circulated and barely sold. Text-book collector’s items.

Netflix’s hit show Drive to Survive has proved that F1 can grab ratings, but Villeneuve Pironi: Racing's Untold Tragedy (Sky Documentaries) is a more esoteric offering.

Last month’s Storyville: Sex on Screen (available on BBC iPlayer) was a slick, speedy (and repetitive) canter through the history of the sexual exploitation of women in Hollywood. It had star names like Jane Fonda, many references to the #MeToo movement, and praise for the new role of intimacy co-ordinators. 

From around July 1977, Jeremy Gluck began contributing to the UK music weekly Sounds. Amongst his pieces were features on The Lurkers, The Rezillos, 999 and his home country Canada’s punk band The Viletones. He’d also written about Generation X for what ended up as the final issue of Sniffin' Glue. In parallel, along with guitarist Robin Wills, he was formulating the band which became The Barracudas.

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves remains to be seen, but set 60 years later in a different Civil War, I suspect Under The Black Rock will not be troubling theatre’s award ceremonies next year.  

Jon Savage's 1980-1982 - The Art Of Things To Come continues a series which began in 2015 with 1966 - The Year The Decade Exploded, a compilation springing off from Savage’s book of the same name. A follow-up looked at 1965, but after that the series has marched forward chronologically.