Fry, AAM, Egarr, Barbican review – revival and revolution
The will of the people writ large in Beethoven’s music for the barricades
Second performances are even more valuable than premieres, composers say, when it comes to launching a piece into the world. Spare a thought, then, for Jan Ladislav Dussek, who has had to wait over two centuries for this prize to be awarded to his Mass in G – really, a Missa solemnis – of a scale to rival Beethoven’s example.