For better or worse, it’s not enough these days to be a perfectly serviceable pop singer. With Saturday night TV shows churning them out by the dozen, you need more than an attractive face and an ability to hit the right notes to stand out. With her brassy voice and purposefully idiosyncratic looks Paloma Faith, who herself will shortly be mentoring a musician as part of yet another nationwide talent search, always seemed like somebody doing her own thing - it’s just a shame that doesn’t come across on her third album, A Perfect Contradiction.

Trip-hop is much maligned as a genre, and understandably so. One of the worst names for a style this side of “folktronica”, it rapidly came to mean anything downtempo that wasn't a standard indie rock format – including plenty of the blandest music ever made. As the late Nineties drew on, it and other experimental electronica faded together into the even vaguer audio Prozac of the “chillout” section, all holiday show sound-beds and CDs on supermarket checkout displays for stressed shoppers to impulse-buy as their children pestered them for sweets.

For those of a certain vintage, Lisa Stansfield's voice is woven into the fabric of memory. Of course there was her 1989 monster single “All Around the World” (“and ay-ay-ay-ay can't find my baby”) – but just as importantly, we first heard her earlier that year on Coldcut's monumental bit of starry-eyed acid house utopianism “People Hold On”, which has been sampled, bootlegged and repurposed so many times that the tiniest inflexions of her “give a little life, give a little love” refrain are as familiar as our own faces.

If you're looking for good vibes, you could do worse than watch people who've queued up for a surprise show by a megastar finally getting through the doors, having paid only a tenner. The buzz on the way into the Shepherds Bush Empire last night, in fact, was a real tonic – people whooping, spontaneously singing, grinning inanely. A quite peculiar mix of celebrities – Nick Grimshaw, Cara Delevingne, Alan Yentob and George Clinton – all took to their seats looking as excited as the 3,000-odd standard punters.

In a world where everyone is expected to be a “brand”, Gilles Peterson sets some very interesting precedents. Probably best known as a radio DJ – currently on BBC 6 Music, plus his globally syndicated Worldwide show – he also remains as in demand to play in clubs as at any time in his 25-year career, he runs the Brownswood label, and has his own Worldwide Festival, currently with winter and summer editions in different locations in France plus four years running in Singapore and one in Shanghai. And somehow his individual personality remains at the heart of all of this.

Neil Young: Live at the Cellar Door

Dev Hynes's path of artistic development is one of the most pleasing in 21st century music. The flamboyant black indie-kid risking life and limb to ride the local buses growing up in Hackney, who channeled his frustration at the lack of a place for him in the world through the awkward, aggro, occasionally inspiring but awfully named early 2000s electro-punk trio Test Icicles, has since then through sheer force of will carved out a space within the music world where he can be himself.

Brenda Holloway: The Artistry of Brenda Holloway / Various Artists: ERA Records Northern Soul

“We grew up like animals,” says FAME Studios’ founder Rick Hall of his upbringing. “That made me better… I wanted to be somebody.” He did become somebody, and in the process put Alabama’s Muscle Shoals on the map. This film tells the story of how a small city birthed some of the greatest American music of the 20th century, and of the ripples which subsequently spread. The Rolling Stones recorded there in 1969. Five years earlier they had released their version of Arthur Alexander’s “You Better Move On”. Hall was behind the original, his first production.

"We got 42 years of music to lay on you" is an audacious opening statement for any live band, but when the speaker is Phillip Bailey, lead singer in the current reincarnation of the legendary Earth, Wind & Fire, it is a statement of intent. Playing at the palatial Albert Hall in support of their new album Now, Then & Forever, the current line-up of young session players, complementing the core trio of Bailey, bassist Verdine White and drummer Ralph Johnson, proved without a shadow of a doubt that they still have the energy and skill to hold a crowd enraptured.