Ólafsson, Philharmonia, Järvi, BBC Proms review - a ravishing Proms debut

★★★★ OLAFSSON, PHILHARMONIA, JARVI, BBC PROMS A ravishing Proms debut

Musical time-travel from top Icelander, Estonian and great London orchestra

What does it mean to be Classical? It’s the question award-winning Icelandic pianist Víkingur Ólafsson has consistently asked in a career that has collided music from Bach to Debussy, presenting them as part of a single conversation and continuum. Here, in a striking BBC Proms debut, he continued to probe and challenge, with a little help from the Philharmonia Orchestra and Paavo Järvi.

Carducci Quartet, Wigmore Hall review - complexity and depth

★★★★ CARDUCCI QUARTET, WIGMORE HALL Complexity and depth

Programme of short quartets showcases an impressive sensitivity to texture and mood

This programme was a bit of a calling card from the Carducci Quartet. They have previously recorded all three works, and the three composers, Haydn, Shostakovich, Beethoven, clearly play to their strengths. Add to that a modest running time, the Shostakovich Seventh and Beethoven op.

Wigmore Hall at Portman Square / Wang, LSO, Tilson Thomas, LSO St Luke's review - al fresco chamber, full orchestra indoors

★★★★ WIGMORE HALL AT PORTMAN SQUARE / WANG, LSO, TILSON THOMAS, LSO ST LUKE'S  Al fresco chamber, full orchestra indoors

An exhilarating Sunday moving from percussionists to strings and on to a big symphony

Sometimes the big musical institutions follow off-piste trailblazers. John Gilhooly of the Wigmore Hall has been a hero in lockdown year, keeping musicians paid up and performing to audiences live or via livestream (or both); but it was clarinettist Anthony Friend who pointed another way forward in the new environment late last summer with his series of chamber music concerts in Battersea Park Bandstand.

Romances on British Poetry / The Poet's Echo, English Touring Opera online review - Britten and Shostakovich in a double mirror

★★★★ ROMANCES ON BRITISH POETRY / THE POET'S ECHO, ENGLISH TOURING OPERA Britten and Shostakovich in a double mirror

Two composers add up to one compelling drama, as ETO cuts its cloth to suit the times

A darkened stage; a pool of light; a solitary figure. And then, flooding the whole thing with meaning, music – even it’s just a soft chord on a piano. It’s no secret to any opera goer that even the barest outlines of a staging can magnify the dramatic potential of a piece of music to a point when it can seem like a completely new work.

Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich sounds

★★★★ ALBAN GERHARDT, MARKUS BECKER, WIGMORE HALL Shostakovich's dark intensity carries over to Schumann and Beethoven

Shostakovich's dark intensity carries over to Schumann and Beethoven

It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival in July.

Classical CDs Weekly: Ives, Plakidis, Shostakovich

CLASSICAL CDS: IVES, PLAKIDIS, SHOSTAKOVICH Visionary Americana, Latvian orchestral music and a pair of Soviet violin concertos

Visionary Americana, Latvian orchestral music and a pair of Soviet violin concertos

 

Ives universeIves: Universe, Incomplete (Accentus DVD)

Classical CDs Weekly: Rachmaninov, Shostakovich, Aisha Orazbayeva

CLASSICAL CDS WEEKLY Rachmaninov, Shostakovich and a versatile violinist's response to lockdown

Russian orchestral music and a versatile violinist's response to lockdown

 

Rachmaninov in LucerneRachmaninoff in Lucerne – Rhapsody, Op. 43, Symphony No. 3 Behzod Abduraimov (piano), Luzerner Sinfonieorchester/James Gaffigan (Sony)