It could have been your standard Russian touring programme: Tchaikovsky ballet music as hors d'oeuvre, Rachmaninov piano concerto, Shostakovich symphony. But the symphony was hardly the usual (Sixth rather than Fifth or Tenth).
The opening of a new concert hall offers two options for opinionizing: the venue itself – or the performances in it? Review the acoustics – or the music? It has to be a mixture of the two, in the end. Chetham’s School of Music, in Manchester, has just celebrated (and seen opened by HRH Prince Edward) its £8.7m Stoller Hall – a state-of-the-art, 482-seat performance venue in the heart of Manchester, right next to Victoria Station.
Beethoven: Piano Sonatas Op.110 and Op.111, with music by András Szöllösy and Gyula Csapó Gábor Csalog (piano) (BMC)
The BBC Symphony Orchestra has continued its long-standing support of British contemporary music with this première of a new commission, Michael Zev Gordon’s Violin Concerto for violinist Carolin Widmann.
Yuri Temirkanov chose a shamelessly populist programme for the London leg of the St Petersburg Philharmonic tour. But Khachaturian, Prokofiev and Shostakovich are core repertoire for this orchestra, and ideal for showing off its many strengths.
Miloslav Kabeláč: Complete Symphonies Prague Radio Symphony Orchestra/Marko Ivanović (Supraphon)
Colin Matthews’s arrangements for orchestra of the 24 Debussy Préludes (originally commissioned by the Hallé) have been widely admired. The BBC Philharmonic’s concert, conducted by Nicholas Collon, at the Bridgewater Hall on Friday night began with three of Ravel’s five piano Miroirs, two of them orchestrated by Matthews (one a world premiere) and one by the late Steven Stucky.
This is a documentary about a minority in a minority, a riff on young, gifted and black. And how better to attract both practitioners and audiences to classical music than by encouraging diversity? The totally startling statistic was that in the UK, only five per cent of classical musicians are black or from ethnic minorities.
The Borodin Quartet has been playing for over 70 years, and in the early days collaborated closely with Dmitri Shostakovich. None of the players from then are in the line-up now, of course, but the group has worked hard to maintain its distinctive identity and performance traditions, even as the players change. And they have a good claim to continuity: Valentin Berlinsky, the legendary cellist who was with the quartet almost from the start, was still playing with them up until 2007.
Shostakovich: Violin Concerto No.1, Glazunov: Violin Concerto Nicola Benedetti (violin), Bournemouth Symphony Orchestra/Kirill Karabits (Decca)