Onto our seventh Lockdown selection and things are only getting busier out there, with more to see, hear and get involved in. Below are five of the best for this week. Dive in!

BBC Radio One Big Weekend 2020

As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking. Dive in!

A Theatre for Dreamers/Von Trapped Family Livestream + Dave Gilmour Live at Pompeii

The music of monstrously successful emo-pop sorts Paramore is globally massive but is far from everyone’s cup of angst-lite. There is something polished and squeaky clean about them, Teflon fluoro-goth with an off-putting whiff of decent boy/girl-next-door niceness. This writer, then, comes to the debut album of lead singer Hayley Williams with Everest-sized prejudices.

As we unwillingly become used to lockdown, most of us are regularly looking for juicy tidbits to pass the time online, so here's another selection that should be well worth a look. Dive in.

Sea Change Goes Online

The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t. Anna Kendrick and Justin Timberlake are back as the delightful odd-couple, Poppy and Branch, for round two of pop-infused peppy animated adventure in the land of felt and feelings, where music can solve a myriad of problems. 

Purity Ring, the Canadian duo, are purveyors of simple yet sophisticated dream pop. Corin Roddick makes synth tracks at one end of the country, while crystalline-voiced Megan James writes the lyrics and records the vocals thousands of miles away.

Dua Lipa's self-titled debut was unmistakably the sound of a musician feeling their way. It had all the flavours of trap, tropical house, autotune and Lana Del Ray-ish triphop introspection you'd expect on a 2017 pop record. The multi-billion-stream single “New Rules” was the most transatlantic-sounding thing there, and it must have been tempting to try and repeat its success by following current generic templates.

At a time when stepping outside your front door constitutes risky behaviour, the short, sharp, shocking tales of misspent youth from Queensland pop-punk trio The Chats are a proper tonic.

Critical and commercial success haven’t gone to the head of Lewis Capaldi. The 23-year-old opened his first of two sold-out nights at Glasgow’s 14,000-capacity enormodrome – booked when he was yet to release his debut album – with a video montage poking fun of his po-faced reaction to Billie Eilish beating him to Song of the Year at the Grammys in January.

Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these days.