Bodies is the latest in Two's Company's series of what they deem "forgotten masterworks", this one making a less-than-triumphant return to the London stage after almost 40 years away. Written by James Saunders in 1977, it opened at the Orange Tree in Richmond before transferring to the Hampstead Theatre and then on to the West End.

Bill Morrison’s Dawson City: Frozen Time is an intoxicating cinematic collage-compilation that embraces social history – in microcosm, via its story of the titular Canadian mining town – as well as the history of film itself.

Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford, Stockport, Timperley and Warrington are in the mix too. “Manchester-area” or “Manchester-region” wouldn’t be such snappy designations but the point is made – Manchester is suffused in music.

Chaka Khan’s last album, 2007’s Funk This was billed as the Queen of Funk’s comeback after her 80s and 90s purple patch. But after its release, apart from the odd cameo vocal on other people’s tracks, she stepped back out of the spotlight and retreated back into relative obscurity.

Films that show a young couple’s love deepening are rare because without personal conflict there’s no narrative progression.

A compilation on which Philip Glass and Terry Riley rub shoulders with Controlled Bleeding and Smegma is going to be interesting. Throw in Data-Bank-A, Dog as Master, NON and Suicide, and it becomes clear what’s striven for is an all-encompassing overview of something particular rather than a miscellany of random names included as attention-grabbers.

Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops is worth investigating. The audio sources may be of sub-standard quality or capture an off night. Some live performances are by rote: touring acts can do the same set night after night and things get stale. Who wants to hear yet another version of a familiar composition or song? It goes on.

In April 1973, John Peel wrote that “For my money, Tangerine Dream are the best of the Kosmische Music bands. Whenever any of their extended works are played on the radio there is a heavy mail from listeners. Most of the letter-writers are for it, those that are against it are very against it indeed. A Tangerine Dream track, heard superficially, is little more than a repetitive drone.

The time of giving is here and what better presents than great slabs of lovely vinyl; sounds that bring joy to all. Our last theartsdesk on Vinyl of the year is packed with boxsets and reissues as well as a couple of seasonal bits. From a Shrek picture-disc to Kate Bush's entire back catalogue to Los Angeles’ latest alt-tronica, there are more music flavours here than even Santa can claim (having been to his crib, we can assure Santa’s vinyl collection is pretty limited, with the exception of a wall of Doom Metal).

After Be-Bop Deluxe finished recording their third album at Abbey Road, their label said they needed something to promote as a single. EMI told band-leader Bill Nelson they wanted a song with commercial appeal. The result was the single “Ships in the Night”, which duly charted during the last week of February 1976. On the back of the hit single, the art-rock outfit’s third album Sunburst Finish became their first to go Top 20. EMI got what it wanted.